A Quote by Glenn Kelman
I think the corporate world is pretty starved for personality. The reason you have comic strips like 'Dilbert' and sitcoms like 'The Office' is that people just can't be genuine human beings in a corporate environment. So if you can really be your own self, even if it's a little bit different, I think people are really drawn to that.
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There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.
I always get so excited when I get to go to my friends at corporate offices. I am always, like, looking around. I think that's really exciting to be a part of an actual corporate office.
I think one challenge is that having few women in your work environment makes you feel a little isolated and alone. I'm an extrovert; I like talking to people, and I make friends easily, but if your personality is somewhat different, I think you would struggle to connect with people.
I can't even look at daily comic strips. And I hate sitcoms because they don't seem like real people to me: they're props that often say horrible things to each other, which I don't find funny. I have to feel like they're real people.
Everything has become very corporate and very careful. Before we had a real democracy going and there were a lot of freedoms and now there's this terrorism thing that everybody's focused on, which is really a boondoggle in my opinion. It's just an excuse to clamp down on people's free speech. And corporations intimidate people and everybody's gotten intimidated and that's really what it is, and they just keep going along. It's almost like - a little bit like that Charlie Chaplin movie, Modern Times, or 1984, Orwell
I notice a lot of people think they can solve their problems with antidepressants. That, I noticed, being like a bigger issue, like, it really strips people of who they are. Like, all your quirks and all your problems, even your depressions and your failures, that's what makes you, you. And there's a lot of drugs out there that will take that away from you.
I used to be very self-conscious. I used to wish I was pretty. My cousin Georgia always taught me that if you smile, people will like you. Sometimes people will say something you don't like, and you get angry a bit, but you just smile. You let it go by, even if you really would like to choke 'em. By smiling, I think I've made more friends than if I was the other way.
I think human beings are drawn to other human beings who are beautiful or handsome. I do think that it probably helps to sway people towards liking somebody, if they're handsome or if they're fit or if they dress good. It probably shouldn't be that way but it's almost like human nature.
I just have a different impression of the human race. I think we're really resilient. I think there are a lot of cynical people out there right now, and probably for good reason. But I think that ever cynic is really a damaged romantic, and they really, really, really want things to be good. And if that's the case, I don't need to tell a story that says, "Humanity, look what you've done. Now you can't go out. There's no sun. Look how you've wrecked the world." That's not me. That's not my job.
I don't happen to like pretty things. I don't like pretty dresses. I like more attractive. I like people that look a little bit more offbeat. I don't like the classic pretty face. That doesn't mean it's not pretty or it's not wonderful, and most people don't agree with me, but that's the way I think.
There are certain neighborhoods in America like that - like in Pittsburgh, where I'm from - where people wouldn't think it's even livable for human beings. Those are the areas that I connect with because I come from places like that, and I just think it's interesting how the rest of the world acts like it doesn't exist. But a lot of the best things come from there.
I think every artist that you like, or even artists that have defined their own times, they're definitely looking to the past as a starting place. It's just about how you infuse your own personality, your own message, and your own ideas into it. The record is supposed to be really sensual and sexy.
I like my little shell. I like my little circle of three or four people that I'm close to. I think that comes off as bad to people that don't really know my personality.
My failed corporate career became the fodder for the 'Dilbert' comic. Once it became clear I would not be climbing any higher on the corporate ladder, it freed me to mock managers without worrying that it would stall my career. Most failures create some sort of unplanned freedom. I took full advantage of mine.
On good days, I can see the inherent goodness in people, and that human beings have a high capacity to learn and adapt. But things like the environment, nuclear weapons and ideas like peak oil - if you think about them too much, they can really freak you out.
I think that if you're really going to snog someone and it's going to be a perfect snog, it's got to be between two people that really like each other, rather than someone you think is fit and you snog for the sake of it. That normally turns out not to be a good snog. But if you have two people that really like each other, then fair enough. Really, it's a little mix of kissing, a bit of lips, maybe some biting, and then a bit of tongue and stuff. It depends on what kinky little minx you've gone for on the night.
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