A Quote by Gloria Swanson

I had starred in more than 30 successful films, six in a row directed by Cecil B. De Mille. — © Gloria Swanson
I had starred in more than 30 successful films, six in a row directed by Cecil B. De Mille.
Event cinema is what it is, and I understand why it's successful. It started with things like 'Jaws,' which are extraordinary movies. But what we've lost are great character films which are beautifully directed and had great movie stars in them. Films that were about something rather than about spectacle.
In fact, I had never imagined that seven years after my ordeal, the #MeToo movement will start and that I will be talking about it all over again. This is nothing but karma. Dibakar has directed six films, even though I didn't get any films after I went public with my allegations.
You can't blame movies for embracing spectacle; filmmakers since D.W. Griffith and Cecil B. De Mille have loved spectacle, and spectacle is something that movies convey like no other medium, especially in a digital age.
Most of the female-directed films, if they got distribution, would have fewer dollars to support the film and play in fewer theaters than the men. Because the female-directed films go to smaller companies. So the gap starts widening.
Ne reprenez, dame, si j'ai aime , Si j'ai senti mille torches ardentes, Mille travaux, mille douleurs mordantes, Si, en pleurant, j'ai mon temps consume . Do not blame me, madam, if I loved, If I felt one thousand burning torches, One thousand labours, or one thousand scathing pains, If, in crying, I spent all my time.
I have enjoyed the films directed by Prabhu Deva and simply love his choreography. And he is the best dancer India has. I feel he knows what the audience wants, and that is why the films he has directed are hits.
Lee Marvin was my godfather and a very close friend of my father's. My father directed the very successful 'Point Blank' in which Lee Marvin starred.
Dark Water was one of my favourite films to shoot because of Walter. I had seen the previous films he had directed, Central Station and Motorcycle Diaries, and I thought they were great. I really trusted him.
Dark Water was one of my favourite films to shoot because of Walter. I had seen the previous films he had directed, Central Station and Motorcycle Diaries, and I thought they were great. I really trusted him
I've kept the people who've been in my career who I feel are my family. Kathy [Kennedy] had been with me since 1978. Janusz Kaminsky, my cinematographer, has made every movie with me since Schindler's List. Michael Kahn has cut every movie I've directed since 1976 when we made Close Encounters together. Rick Carter has done more than 15 of my directed films as a production designer.
Cecil flashed a grin. "Quite. Plus your rather irritating habit of treating your superior officers as your, ah..." Cecil paused, apparently groping again for just the right word. "Equals?" Miles hazarded. "Cattle," Cecil corrected judiciously.
I never once had a regular paycheck. Not for more than six weeks in a row and for the most part not even that. I still haven't. The notion of some whistling kid with a mail cart coming down the hall and handing me my weekly paycheck is something I've only seen in Matthew Broderick movies.
I don't have anything against this Jesus guy, but has he written, directed, and starred in his own movie?
I produced and starred in 'Wake the Riderless Horse,' a short film that my buddy wrote and directed.
I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.
At least in the United States, most economic resentment is not directed toward billionaires or high-roller financiers - not even corrupt ones. It's directed at the guy down the hall who got a bigger raise. It's directed at the husband of your wife's sister, because he earns 20 percent more than you do.
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