A Quote by Golo Mann

It is not as easy to emigrate with steel mills as it is with the manuscript of a novel. — © Golo Mann
It is not as easy to emigrate with steel mills as it is with the manuscript of a novel.
By 1975 - and continuing to today - all Americans came to believe that they had a "right" to a safe, clean, healthy environment. When I grew up, no one seriously criticized the steel mills and paper mills for the deadly stench they produced - that was the smell of prosperity. In the modern society, no one would tolerate such conditions in an American city.
Pittsburgh isn't fancy, but it is real. It's a working town and money doesn't come easy. I feel as much a part of this city as the cobblestone streets and the steel mills, people in this town expect an honest day's work, and I've it to them for a long, long time.
I was never afraid to go back to Pittsburgh and work in the steel mills.
We don't want people working in fast-food stands. We want them back in the steel mills.
I think that when you emigrate, when everything you took for granted disappears, it's a kind of loss of innocence. When you're a kid, the world as you know it is just there. Suddenly, you emigrate and that's no longer the case. It's a break in reality that parachutes you into adulthood.
My first job was with an auto plant, Kansas City - they treated you like slaves. From there I went back to Chicago, worked in steel mills, drove a cab, stuff like that.
Industrial technologies that allowed for increased mechanization in 19th-century armed forces also spurred Frederick Winslow Taylor to develop his 'Scientific Management' doctrine in Philadelphia steel mills.
The subject of the novel is reality liberated from soul. The reader in complete independence presented with a structured process:let him evaluate it, not the author. The façade of the novel cannot be other than stone or steel, flashing electrically or dark, but silent.
I have lived my whole life just outside Youngstown, Ohio. We watched the steel mills close and 50,000 jobs disappear in the late 1970s. We watched businesses move overseas throughout the 1990s and early 2000s.
I grew up listening to my dad, a miner who rose through the ranks to be the mine superintendent in Coalwood, W.V. , yelling orders into his black company phone. He wanted to get coal out of the ground and into coal cars and on its way to steel mills.
I think the trick of writing a good picture book manuscript is to leave that space for illustration. An illustrated novel can do the same thing.
You take a look at what's happening to steel and the cost of steel and China dumping vast amounts of steel all over the United States, which essentially is killing our steelworkers and our steel companies. We have to guard our energy companies. We have to make it possible.
In the night ride across the Wular lake a small storm made me worry for the safety of my manuscript (Rajatarangini). It seemed as if the goddess of wisdom - Sharada, represented by waters of Kashmir, was unwilling to let me abduct the manuscript. This is what happened 1200 years ago to the Chinese pilgrim Hiuen-Tsang, who had to leave his Sanskrit manuscript in the angry Indus River.
Manufacturing is still very important to us, but we are much more diversified state. And furthermore, anybody that says the steel mills are coming back to Youngstown is not telling the truth. They're not coming back. You could have some aspects of advanced manufacturing appear.
The strange thing about writing is that it's so easy to write a novel. It is really easy. But it's getting there to the point where it's easy that's hard. The hard part is to get there.
Steel is such a nice material to use. It can move. It's terribly easy, you just stick it or you cut it off, and bang! you're there: it's so direct. I think Manet was very direct, he didn't prepare his canvases like Courbet, he just put paint straight on and it's very like that with steel.
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