A Quote by Gore Verbinski
I want to diagnose the audience a bit and then offer a cure.
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I have a friend who says a beautiful painting can cure headaches, but I want it to cure a little bit more! I want it to cure the society of voting for Donald Trump.
And what physicians say about disease is applicable here: that at the beginning a disease is easy to cure but difficult to diagnose; but as time passes, not having been recognized or treated at the outset, it becomes easy to diagnose but difficult to cure. The same thing occurs in affairs of state; for by recognizing from afar the diseases that are spreading in the state (which is a gift given only to the prudent ruler), they can be cured quickly; but when, not having been recognized, they are not recognized and are left to grow to the extent that everyone recognizes them, there is no longer any cure.
It is easier to diagnose a crisis than to cure it, of course.
I just don't feel comfortable anymore with the kind of attention that I'm getting. It's purely the numbers of people that want a bit of the Cure or want a bit of me.
For the really scary stuff to work at the end you have to fall in love a little bit with the family and want then to be ok. And once you get the audience to buy in on that then they care. They want them to be okay.
I think you do have to attend to the sort of core values of film, which is that the audience wants to have a relationship with the characters, they want to understand what's going on there. There are certain things that comics can have a little bit more freedom in then when you're asking an audience to engage in it as a piece of cinema, but I do feel like the canvas is much bigger and wider and that we're being invited and frankly challenged to take risks, to be a little bit different. And that's fun, that's exciting.
Millions of Americans every year depend upon medical imaging exams to diagnose disease and detect injury, and thousands more rely on radiation therapy to treat and cure their cancers.
The technique of a mass movement aims to infect people with a malady and then offer the movement as a cure.
Journalism, like history, has no therapeutic value; it is better able to diagnose than to cure, and it provides society with a primitive means of psychoanalysis that allows the patient to judge the distance between fantasy and reality.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
Good tests can help teachers determine how their students are performing and identify the areas in which their students need assistance. Like an X-ray, however, tests can diagnose, but they cannot cure.
The people I want are very famous and very rich, and all I can offer them is a bit of exposure on TV and a bit of cash, so it's a miracle we get any guests at all. But we have been very lucky.
I see the role of a rabbi or a pastor in general sort of like the role of a quarterback who throws the ball a little bit ahead of the receiver - that is you want to make people run just a bit to catch up to the message that you offer.
With a lot of films, people are sitting on the outside looking in, but I want the audience to get a bit more intimately involved with what's going on, so that they maybe can experience it a little bit more intensely.
Sometimes we can offer a cure, sometimes only a salve, sometimes not even that. But whatever we can offer, our interventions, and the risks and sacrifices they entail, are justified only if they serve the larger aims of a person's life. When we forget that, the suffering we inflict can be barbaric. When we remember it the good we do can be breathtaking.
That's a lovely experience when you make an audience laugh. Then the nerves go away for a bit. And sometimes you do things then that you've never done before that are really funny.
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