A Quote by Grace Jones
I loved all those classic figures from the '30s and '40s... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.
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I get up at seven for the make-up, Rita Hayworth at six, Joan Crawford and Bette Davis at five. I don’t want to know the time when I’ll have to come to the studio even earlier.
I always loved the bad girls in the movies. I loved Bette Davis; I loved Katherine Hepburn. I loved Ava Gardner.
For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].
It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense.
I mean, I see the old interviews with Bette Davis or Joan Crawford, these characters clawed their way up - what stories.
I watch an awful lot of old Hollywood movies - I'll devour anything with Bette Davis or Joan Crawford. My absolute favourite is 'Sunset Boulevard' starring Gloria Swanson.
I watch an awful lot of old Hollywood movies - Ill devour anything with Bette Davis or Joan Crawford. My absolute favourite is Sunset Boulevard starring Gloria Swanson.
I think that the work that Bette Davis and Joan Crawford did was truly extraordinary, and that's their legacy. Not the other petty stuff.
I loved working with Bette Davis. Bette Davis was great to work with and a wonderful teacher, and very kind to me. We became good friends.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
I used to stay up very late at night, much later than I probably should have for such a youngster, and I used to watch very old black-and-white movies with, you know, Bette Davis and Joan Crawford, but I remember watching them thinking 'I could do that'... Even though I wasn't inclined at all to actually become an actress. I mean, that wasn't something that was... in the stars for me, no pun intended.
Apparently, Bette Davis and a lot of actresses had a hard time in their 30s, too.
Joan Crawford and Bette Davis are larger than life. They just are. They sucked all the oxygen out of a room: they're icons; they loom large in our imaginations. But the truth of the matter is both women were diminutive.
My favorite decade of cinema would be kind of the '40s, yeah. I like things in the '30s, but you know, the sound recording in the '30s wasn't very good. But for some reason the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.
I look to the women who epitomize old Hollywood glamour, like Rita Hayworth. She had a way of making sophisticated clothes look sexy without ever seeming sleazy or cheap.
When they make a woman's picture, they treat it like a 'woman's picture.' In the '40s, they didn't treat Joan Crawford movies like that, but as the big movies of their year. I'm upset that there's no 'Terminator' with a woman in Arnold Schwarzenegger's role. Because that would make just as much money.
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