A Quote by Grace Jones

I like to isolate myself when I work because I end up losing my voice by doing interviews all day. — © Grace Jones
I like to isolate myself when I work because I end up losing my voice by doing interviews all day.
I know what it was like to not have a voice, so my daughter has a voice. I veto that voice when needed because at the end of the day I am the grown-up, but I hear her.
I used to do interviews - I still do - interviews every day, all day. And you go from maybe doing a couple of professional interviews, where you can hear the sound right, to everyone else sounds like they're at the bottom of the Atlantic Ocean.
I picked up an issue of 'Cosmopolitan' the other day that had tips for job interviews, because I was like, "I need to get better at interviews." The article was basically about how to get someone not to hate you in 20 minutes. Every single thing they told you not to do, I was like, "I do that every day."
I picked up an issue of Cosmopolitan the other day that had tips for job interviews, because I was like, 'I need to get better at interviews.' The article was basically about how to get someone not to hate you in 20 minutes. Every single thing they told you not to do, I was like, 'I do that every day.'
I think the Oscar So White campaign really sparked ... Because you didn't want to be the Oscars, so everybody in Hollywood was like, well, before the heat comes down. The Golden Globes diversified. Just everybody ended up diversifying as far as handing out awards to more diverse folks in Hollywood because at the end of the day, it doesn't matter what your race is. If you're waking up every day and you're doing the work, you deserve an opportunity to be awarded like everybody else.
My work is nice, natural, it's never "been there done that," my work remains very interesting without losing my soul - because it's really me, and I am always honest with myself. I don't care what's in or out, I just listen to myself. And it's very nice to able to work like that. At the beginning people might have wondered what I was doing, but now they know my line, my evolution, I'm respected for that and that's a wonderful feeling.
Personal questions, or accusations about delivering flops or not doing good films end up being accusatory sessions where I have to defend myself. That's why I prefer not to do interviews.
When you don't get a certain quality of work, you end up doing lesser quality of work because there's no work. I'm a professional actor, I have bills to pay so I end up taking work which ideally I wouldn't have.
I hardly ever watch my own work. I just end up picking myself apart! I can't even stand to hear myself on voicemail. the sound of my own voice is like nails on a chalkboard. The same goes for my records.
The 'Housewives' has helped me find my voice. I was always a people-pleaser, and coming into a show like this, you end up losing that.
My work with Patriot Voices actually dovetails very well into the work I'm going to be doing with EchoLight. I'll be traveling around the country, doing a lot of radio interviews, a lot of media interviews, so I don't see that as all inconsistent.
The process for doing voice work goes by much quicker as opposed to shooting a feature. You can pretty much go in and knock it out in a day or two. It feels very natural for me to express myself using only my voice, so it wasn't too difficult.
In real life, people end up doing things because it's convenient and it works for them. You don't get up every day regretting what you're doing.
There was one sequence of days [making Lincoln in the Bardo] when I had halfway decided to use the historical nuggets, but I wasn't quite sure it would work. I'd be in my room for six or seven hours, cutting up bits of paper with quotes and arranging them on the floor, with this little voice in my head saying, "Hey, this isn't writing!" But at the end of that day, I felt that the resulting section was doing important emotional work
I'm always calling my doctor because I'm constantly injuring myself while on the road, like tearing a ligament, blasting my ears or losing my voice. Plus, I'm a total hypochondriac.
I started doing comedy with no plan to do voice work. Voice work came as a function of doing comedy and meeting people who eventually develop shows like that. I didn't seek out from an early age to be on cartoons.
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