A Quote by Grace Jones
If you want me to work with you, then come with an idea. Come with music.
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You come for the money, you don't come to Barefoot College. You come for the work and the challenge, you'll come to the Barefoot College. That is where we want you to try crazy ideas. Whatever idea you have, come and try it. It doesn't matter if you fail. Battered, bruised, you start again.
Come away with in the night
Come away with me
And I will sing you a song
Come away with me on a bus
Come away where they can't tempt us
With there lies
I want to walk with you
On a cloudy day
In fields where the yellow grass grows
Knee-high
So won't you try to come
Come away with me and we'll kiss
On a mountain top
Come away with me
And I'll never stop loving you
And I want to wake up with the rain
Falling on a tin roof
While I'm safe there in your arms
So all I ask is for you
To come away with me in the night
Come away with me.
I expect people that come to the studio to work to come with the same energy I come with. If I see less than that, I get very strong about, if you want to do this, come with a sense of pride, come with eagerness and anxiety.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last. Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me the music tells me what to talk about.
It's not that I don't want to, it's just that there's no money in it. By that I mean the way the video business works now, the artist and the record label send out a song to a bunch of different directors and say, 'What would you do with this?' Then everyone has to come up with an idea and bid on it. For me, it's like, 'Hey, you want me to do it? Then pay me. I'm not auditioning for you.'
Look, I come from vaudeville, I come from burlesque, I come from heartaches, I come from sadness, I come from gladness, I come from work and sweat and respect for the craft.
My demographic is very broad. Once they come, they had an idea about jazz, and then they hear me, and they come back with sisters, brothers, and kids. My audience looks like America to me.
The music, for me, doesn't come on a schedule. I don't know when it's going to come, and when it does, I want it out.
Whenever somebody says they need an angle for their story I always fear that they've got an idea and they want me to fit into it or they want me to come up with an idea myself or I'm supposed to be more revealing than I've been, and to me it just sounds like something I don't want to do.
My inspirations don't come from outer space, they just come to me. I have no idea why they come when they do.
I want people to come to town and come by the shop and buy a T-shirt, then go by the bar-and-grill and have a hamburger or go hear some music. I want to be a destination - the destination.
I think the thing about acting and making music is that it's easy to do both. I'll shoot a movie for three months, and then I won't have to work for however long I want to. So, I can do a movie for a couple of months and then come and do music for a couple. But whatever's hot at the moment is what I'll gravitate toward.
We want to have a system where people can come here and work - go back and forth if they want to... so that we have an open door to the people who want to come and contribute to our country, who want to come and make a difference in their families' lives and our economy.
You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.
I've always thought of music as something which gives the words their flight and their wings and the music often comes first, although sometimes I'll have a concept, a title idea, a lyric idea that I want to write and the lyric will come first.
I see the emphasis on a lot of ideas and I know that's directed at me. [Megan Chance] come up with an idea, hone it, and write it. I come up with thirty ideas, flesh each one out, research each one, come up with characters, and then decide I don't like it.
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