A Quote by Greg MacGillivray

In a normal movie, the director controls what you look at. The shots don't last very long because you're getting the audience to look at specific things. An IMAX shot, on the other hand, can be twenty or thirty seconds long.
I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.
An actor stands in front of a camera onstage, and he controls time and space for the audience. He tells them how long this will take, where to look, when to look, what to think about it. And good performers should be able to do their part with the sound off.
When I am dreaming at night, I see everything as a shot from a movie. I have cranes and extras in my dreams. I swear to you! It doesn't happen every day, but many nights my dreams are like a movie. I don't see normal movement - I see things in very complicated shots.
Some shots, for me, are a good shot even if it's forced. The way it might look to a person watching, they might look at it like, 'That's a tough shot.' But for me, it's not a tough decision. I'm committed to those shots, and I spend time working on them.
The bottom line for most people who are normal is their need for other people. Even the greedy ones have this need - as long as they're not sociopathic. They may be very misguided and unhappy and do bad things and so forth, but in general if you look down deep, you find that these people are mainly concerned with other people and what other people think of them.
I usually look at things like that from an audience perspective first, then have a closer look at the specific character they're talking about me for.
If I can do a scene in one shot, it's in one shot. Most of my shots are pretty long. I think with 'Looking,' what we have in the first minute is a whole episode of a traditional TV show. I like to let things breathe; I like to let things have a certain tone.
For the audience, actors carry out specific roles of men and women through the character that they play out on screen. The director on the other hand is not doing a gender-specific job. So, it is irrelevant if the person who makes a particular film is a man or a woman.
There is some pleasure in doing a movie and problem solving on a specific movie and getting a movie made, but once they are done, we don't look at them again, much less relate one to another.
I look at like this: Any player I guard, long twos or shots like that, if they make them I still think that's good defense. You can't make those shots at a high percentage the whole game. It's just hard to make long two-pointers, step-backs, fadeaways, off-the-dribble crossovers.
If the estimated age of the cosmos were shortened to seventy-two years, a human life would take about ten seconds. But look at time the other way. Each day is a minor eternity of over 86,000 seconds. During each second, the number of distinct molecular functions going on within the human body is comparable to the number of seconds in the estimated age of the cosmos. A few seconds are long enough for a revolutionary idea, a startling communication, a baby's conception, a wounding insult, a sudden death. Depending on how we think of them, our lives can be infinitely long or infinitely short.
Even though I'm an actor, even though I know a little bit about film, I very much view things as an audience member. For me, whether it's TV, film, theater, whatever, it's a big movie, a small movie, whatever it is, I look for the truth in it. I look for the honesty. I just look for if it feels honest and real to me.
As long as I look good, I'm very happy - and as long as I look consistently me.
The life of a rock & roll band will last as long as you can look down into the audience and see yourself.
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