A Quote by Greg MacGillivray
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic feeling rather than this mechanic feeling you get with digital.
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The view of earth is absolutely spectacular, and the feeling of looking back and seeing your planet as a planet is just an amazing feeling. It's a totally different perspective, and it makes you appreciate, actually, how fragile our existence is.
If you need to strap a camera to you or get in a small space, then it makes sense to use digital.I do think it is possible to use a digital camera artistically, but it can only be good if you are using film technique. Film has grain, and digital has pixels, and there is not that much of a difference, but digital does not replace the need to create a scene and light it properly and spend time considering the shot.
The greatest feeling you can get in a gym or the most satisfying feeling you can get in the gym is the pump. Let's say you train your biceps, blood is rushing in to your muscles and that's what we call the pump. Your muscles get a really tight feeling like your skin is going to explode any minute and its really tight and its like someone is blowing air into your muscle and it just blows up and it feels different, it feels fantastic.
As a bowler it's a strange feeling when you start running through a team. You get that one wicket under your belt and suddenly you start running in feeling loose, feeling relaxed and thinking about what you want to bowl rather than focusing on trying to force that wicket.
That's the real excellent scary part, that feeling, and that feeling won't come if the lady from next door is there and your mom won't ride the ride, because what brings on that feeling most is when your mom rides wedged in tight with you and your brother on nights like this, when your mom will scream the excellent scream, the scream that people you see in snatches on the boardwalk stop and stare for, the scream that stops the ride next door, the scream that tells us to our hearts the bolts have finally broken.
Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches! If your love were-" "I don't understand that first one yet," Buttercup interrupted. She was starting to get very excited now. "Let me get this straight. Are you saying my love is a grain of sand and yours is this other thing? Images confuse me so - is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we're on the verge of something just terribly important.
There is something about growing up in the Midwest that gives a different kind of sensibility. But if I'm feeling insecure, the smiles and politeness get upped a notch, and maybe that isn't totally reflective of how I'm feeling on the inside.
You are always invested in a film, but there is always a different feeling you get when you are portraying a character that is based on real life and you are re-telling events that actually took place.
If you intend to be of assistance, your eye is not upon the trouble but upon the assistance, and that is quite different. When you are looking for a solution, you are feeling positive emotion, but when you are looking at a problem, you are feeling negative emotion.
When I went to Australia, I had this feeling, like, 'Wow, this is really a different country.' I think that feeling of genuine foreignness, that this is a very different culture, which is increasingly rare in our globalised world.
Feeling different, feeling alienated, feeling persecuted, feeling that the only way to deal with the world is to laugh - because if you don't laugh you're going to cry and never stop crying - that's probably what's responsible for the Jews having developed such a great sense of humor. The people who had the greatest reason to weep, learned more than anyone else how to laugh.
I wanted to work in the Hindi film industry much more than what I was offered. But if you are a grain of rice in a wheat field, it is not your fault... You are just different.
The best feeling is when you are remembered for the character you play on the screen and people associate you with that character. There is no better feeling than that feeling.
With rare exceptions, I respond most to painting that cuts across grain rather than following it. I think the artist here can get in touch with that grain rather than simply feel its flow. And he really can't cut right across it anyway.
Various studios are still shooting on film with digital grain and the DI negatives, it's not ideal. We should really be all film or all digital. But that being said, the old way of graining in the camera, now you can make changes like a painter. It's dangerous because you can ruin the film, you can over-fiddle. We've all seen films and gone 'what the hell is that?'
When you are drumming and really feeling the music, the beat, it is like you are transported to a different place, where you feel so exhilirated and calm through your whole body.
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