A Quote by Greg Mottola
I feel this way about a lot of movies, that the characters are idealized versions of people. For better or worse, I am as fascinated with human flaws as anything.
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For better or worse, I am as fascinated with human flaws as anything.
You can't believe everything you read in a newspaper or everything that's coming out of the president's mouth. And you can't believe when someone posts a picture from their personal life, because most of the time, it's staged - we're showing each other these idealized versions of ourselves so that we seem better and other people will feel worse.
Some people make you feel better about living. Some people you meet and you feel this little lift in your heart, this 'Ah', because there's something in them that's brighter or lighter, something beautiful or better than you, and here's the magic: instead of feeling worse, instead of feeling 'why am I so ordinary?', you feel just the opposite, you feel glad. In a weird way you feel better, because before this you hadn't realised or you'd forgotten human beings could shine so.
Years and years of talking and writing versions of the script [Sausage Party] and looking at various versions of the animations - I mean, it's really a lot of workshopping and trying different things, and using the cast to try different voices and characters. And that's the good thing about animation. Because it takes so long, it allows you to explore in a way that you can't in live-action movies.
Flaws make us all human, and you're rooting for characters because of those flaws. It's ageless if you're interested in relationships and the way people can or can't relate to each other.
To me idealized characters are so boring to play, especially having grown up in the classical theater. That's a great experience, but as a woman, especially, you've played a lot of idealized characters. So when you've got someone who has weaknesses as well as strengths, that's interesting.
I am fascinated by people's flaws and delusions: all the messy bits of human nature we all try to pretend we don't have.
I am really fascinated by human beings, fascinated! One thing I loved about living in New York was that I could sit on my stoop and just watch life happen. It was better than any kind of reality television - way more entertaining and enlightening.
The challenge in writing a show that's about people and their flaws is that it can easily tip over - okay, I'll sometimes watch something, and there will be characters that are written in a way that I'll know that the writer just hates human beings. They're expressing this misanthropic point of view with these detestable characters.
A lot of the material is about the inevitable disappointment people feel as they move through life, and things don't feel the way they expect. No experience will ever match up to the idealized version in your mind.
The thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human. They're full of flaws as much as they are full of heroics. I think the reason that people love them and hate them so much is because, in some way, they always see a mirror of themselves in them, and you can always understand them on some level. Sometimes it's a terrifyingly dark mirror that's held up.
Every woman wants to feel great about themselves. It's just nice to feel supported in that way, and it's what my live shows are about - just making women feel stronger, and better, and celebrating. You get to see people's flaws and everyone comes together in their own way. But it's also nice to celebrate who they are.
I have always liked kind of outsider characters. In the movies I grew up liking, you had more complicated characters. I don't mean that in a way that makes us better or anything. I just seem to like characters who don't really fit into. You always hear that from the studio: "You have to be able to root for them, they have to be likeable, and the audience has to be able to see themselves in the characters." I feel that's not necessarily true. As long as the character has some type of goal or outlook on the world, or perspective, you can follow that story.
Racism was just a tool to deal with frustration and pain and that people are in denial about the way we feel and desperately trying to control their environment the way their lives are. And ultimately their scapegoats aren't going to make them feel better, it's just going to increase hatred and the problem gets worse and worse.
I don't know that I am fascinated with crime. I'm fascinated with people and their characters and their obsessions and what they do. And these things lead to crime, but I'm much more fascinated in their minds.
I was always fascinated by the Torah, the Bible, in terms of story telling: heroes and villains, morality and flaws. There's no better epic. Also, being part Latin and Jewish means I have a sense of the theatrical. There were always a lot of people in my house. My home was always filled with a lot of storytellers.
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