A Quote by Greg Mottola
When you're a young person, the solace one can get from popular music is something I just have tremendous nostalgia for, affection for. I still have it.
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My thing is you just have to try to feel young and stay young. Obviously you get a little older, but I still want my music to be young. I don't want to sound like an old dad onstage, so you just have to write music that sounds young.
I would rather be a person who struggled there than someone who had a great, easy time and then got out in the world and was like, "Wait a minute, I didn't get voted class president? What's going on?" You know, "popular" doesn't necessarily correlate to anything. "Popular" still has to get up at 7:00 in the morning and go to work and do something worthy too. There's no edge, really, that you get from being whatever was popular in school.
The Independent Record Store is the reason why i STILL do music...It seems like they're the only ones that Really care about the real music lovers...we need them...they're our balance to all of the music we are FORCED to listen to...they're the only ones that may still suggest something NEW and FRESH instead of just what's popular.
I never wanted to do music to get girls, right, to get popular, or anything like that. I really love music and I want to make it better the best I can. I can tell when something's real, or when something's put together. I can just feel it. So I'm my own worst critic and harshest critic and I just want to put honest music out there.
Music has always been a great solace for me. It's still something that gives me far more joy than movies, I must say. I love movies, too. But somehow, music can transport you. There are so many different kinds of experiences you can have with music.
I was born and raised here [in Florida], so I still have tremendous affection for the state - especially the few wild places that haven't disappeared under concrete. What's left is still worth fighting for, and that's why I stay.
When a young person is not eating three meals a day but still getting perfect grades at school, or when a young person deals with trauma at a young age yet still makes it to college, these are the things that inspire me.
A lot of my colleagues just don't really realize that they have to work in order to get the interest of an audience, especially with young kids, especially because it [classical music] is not that popular. You don't see it on TV, you don't hear it on radio, so you really gotta put an effort into promoting classical music.
I think that my music is really empowering. I just want people to know - especially young people, but really everyone - that you don't have to be so caught up in what everyone else is thinking. You don't have to be the coolest, most popular person. You can just be you and be vulnerable.
I think that what comes through in Chicago humor is the affection. Even though you're poking fun at someone or something, there's still an affection for it.
Murray said, ´I don´t trust anybody´s nostalgia but my own. Nostalgia is a product of dissatisfaction and rage. It´s a settling of grievances between the present and the past. The more powerful the nostalgia, the closer you come to violence. War is the form nostalgia takes when men are hard-pressed to say something good about their country.´
I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.
I think that what comes through in Chicago humor is the affection. Even though youre poking fun at someone or something, theres still an affection for it.
I'll be, like, grocery shopping or doing something totally mundane, and once a day, you'll hear a Cyndi Lauper song on the radio. It is astounding what an icon she is, not just in popular music but in popular culture.
I still look to music to heal and bind; I still think the musician can be a trusted object offering his fellow-man solace but also a reminder of human excellence.
When you are fifty, you're neither young nor old; you're just uninteresting. When you are sixty, and still dancing, you become something of a curiosity. And boy! if you hit seventy, and can still get a foot off the ground, you're phenomenal!
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