A Quote by Greg Saunier
That's one of the things that always grabbed me about rock music: There's a song, and you know how it goes, and you can sort of predict it, but a lot is left up to chance and interaction.
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This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
I used to listen to so much doo-wop, and I've talked a lot about gospel music, but I realised a lot of that language came from doo-wop music. You know, "I Asked the Lord Above," "Heaven Sent Me an Angel." That's rock-'n-roll, and that's where a lot of this language is coming from. Also, I've said before that as soon as you start having a conversation with Jesus in a song you know you're dealing with issues of morality and how fragile it is to be human. It's a shortcut to putting those ideas across.
Good rock 'n' roll is something that makes you feel alive. It's something that's human, and I think that most music today isn't. ... To me good rock 'n' roll also encompasses other things, like Hank Williams and Charlie Mingus and a lot of things that aren't strictly defined as rock 'n' roll. Rock 'n' roll is an attitude, it's not a musical form of a strict sort. It's a way of doing things, of approaching things. Writing can be rock 'n' roll, or a movie can be rock 'n' roll. It's a way of living your life.
Writing a book about [Buckminster Fuller] in the sense of deciding how much to - how much biographically to gloss over and how much I can leave out is relatively easy as it is because the true believers already know everything. They know a lot of things that are not true and they know a lot of things that I thought were (and seems there's very good evidence not to believe) and therefore, my starting point was I think to tell his myth because that's what grabbed me.
Johnny [Depp] got this rock 'n' roll old soul to him. If I say a song, he goes, 'Oh yeah. I know that song.' A song he shouldn't know, a song that's not his generation at all. So he might as well have been there.
I grew up listening to all kinds of music, everything from country to rock, pop, R&B and even rap, so for me, music is music and a great song is a great song.
There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.
You know One Direction do a lot of up tempo songs, but when they did that Ed Sheeran song 'Little Things,' that was probably their biggest song off their last album, so it shows you that a ballad never goes out of fashion.
We know how to think. We know how to laugh. We know we're going to die, which gives us a lot to think about, and we have a need for, what I would call, "the transcendent" or "the numinous" or even "the ecstatic" that comes out in love and music, poetry, and landscape. I wouldn't trust anyone who didn't respond to things of that sort.
To me living and music are all the same thing. And I keep finding out more about music as I learn more about myself, my environment, about all kinds of different things in life. I play what I live. Therefore, just as I can't predict what kinds of experiences I'm going to have, I can't predict the directions in which my music will go. I just want to write and play my instrument as I feel.
Growing up as a classical musician, you're taught a lot about outreach and about how people aren't being taught music in school. But you don't have to study music to like it. And a lot of the music that people like - be it jazz or rock or opera - is stuff they haven't studied.
A lot of people are really quick to say, "That song sounds like this." Or you - "He's tryin' to sound like this." And I'm always like, "You're damn right I am. That's how - that's why we're all here." You know, we all grew up idolizing another musician. That's how this works. That's how music is created.
We have a history in country music of writing about the darker side of things - maybe not as much in modern times, but there's a lot of cheating and self-deprecation. We sort it out in song, in country music, as a genre.
To me, music's something I can dance to or listen to. To write about it is always more of what the music represents, or what it reflects. Like an ideal song, to me, is a song that you can dance to, that summons up some darker and greater mystery.
There's always a spattering of people who see Hanson who were influenced by classic '60's and '70's rock and roll. In a lot of ways, we're sort of the anatomy of a '70's rock band if you examine what we do: white guys who grew up listening to soul music from the '50's and '60's.
Rock music pays off. Rock music takes me on a joyride. Rock music keeps me off the hell city bus. Rock music will always look out for me. But I will not let my torture profanity demon shoot it down.
