A Quote by Greg Saunier
I try not to think about the drums themselves. If I do, I'll end up hitting myself in the head with a drumstick, or sustaining some weird injury.
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I was living in different accommodation and it was never in a place where I could set up my drums and play, so my drums would end up back in their cases and then in the garage. In the end I got used to the drums being locked up, I went a good eight years without touching drums.
All the stuff about who's hitting behind you and who's hitting in front of you-it plays a little bit of a part. But you can't just base your approach off that because you'll end up getting beat in the end.
There are some cases that have come to my attention where there's been a head injury, or getting struck by lightning and surviving, with really no disability or residual. So there are cases that I'm aware of where there's been some incident which triggered the acquired savant ability, but is not associated with long term disability, so that can occur. But I think that's probably the exception rather than the rule in that I think many of the acquired savants do end up with some residual disability.
The drums were new to me; I was just playing what was in my head. I was a guitar player originally - so on the drums, I just played what was in my head rather than caring too much about what others were playing. And in that way, I came up with a simple but unique style.
All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in.
They said if I could deal with the pain, I should play. So, I did, and for some reason, I started hitting. It was a weird thing. I don't know if it was because I couldn't do too much, and I was just trying to stay up through the middle and not hurt myself.
My mother had been slicing up the chicken. She took a drumstick and dropped it on the floor. She kicked it around a little, picked it up and put it on the edge of the plate. "There," she said, "we'll give him this drumstick." "Deal.
It's malarkey. When you tell people that the roof crushing in on your head is not the cause of injury, it's your head hitting the roof, it's laughable.
I don't want to be the poster boy for head injury. I shouldn't be the poster boy for head injury. I have really tried to distance myself from that.
You kind of half-prepare a speech in your head, and then you get up there and then you end up saying nothing that was in your head before you went up there. It's a very weird thing. I never do award speeches too well.
People say, 'Why don't you do interviews? What do you think about this? What do you think about that?' My job in the band is to play drums, to get up on stage and hold the band together. That's what I do. At the end of the day that's all that's important. Everything else is irrelevant.
Just when you think you're hitting your stride someone will shout "cut" and ask you to move your head to the left. It's such an awkward process. You try to make it passionate but it ends up being mechanical.
It's weird, man. I've had a weird life, and I don't want to end up on the dole. I'm fed up with the plumbing. And I think it would be good to be a little pop star again.
I never blame myself when I'm not hitting. I just blame the bat and if it keeps up, I change bats. After all, if I know it isn't my fault that I'm not hitting, how can I get mad at myself?
People think this is all about the top players hitting tenins balls and they talk about technique and strategy and how important that is. But they don't understand the essence of competition. This is one-on-one, two players out there fighting each other with everything they have, trying to bring the best out of themselves. And the difference at this level of the game is all in the head and in the heart.
The thing about hitting kids is, think about if you were doing the same thing to another adult. Hitting your kid is really the same as hitting your employee or wife, and the issue become pretty clear when you think about it that way.
