A Quote by Greg Sestero

When people show up to your work and enjoy it for years, like the way they have 'The Room,' what do you say to that? You accept it and think it's pretty cool. — © Greg Sestero
When people show up to your work and enjoy it for years, like the way they have 'The Room,' what do you say to that? You accept it and think it's pretty cool.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
The only way I'd want to do something in television would be if it was about how I think as a comedian. I'd need to be able to be a creator. That's what I enjoy - I enjoy coming up with comedy, so it'd be very difficult for me to be sitting in a room and have somebody come in and say, "Here's your script! Learn these lines!" That's not fun. At least not for me.
I don't really get that nervous about whether people like it. You can't do anything about that. It's more technical. You spend two years of your life obsessing, picturing sound details, and you work so hard to make a movie a certain way, that you get there, and you're like - is it loud enough or whatever, so that this experience with everybody in this room is the fairest chance I can get. And then if you like it, cool, and if you don't, whatever.
It's cool that people enjoy my work. That's fun for me that people, like going to my movies and enjoy all the hard work that everyone put into it. I think that's the biggest reward, to know that everyone enjoyed the movies with me.
I wanted to create a film that hadn't been created yet. I studied film for many years. The Room is almost 20 years of my work. You see, I understand young people unlike the media. I don't expect people to love The Room 100% but I respect that people enjoy it and that maybe it opens certain doors for them. That's what makes me happy.
You make your first album, you make some money, and you feel like you still have to show face, like 'I still go to the projects.' I'm like, why? Your job is to inspire people from your neighborhood to get out. You grew up there. What makes you think it's so cool?
I think a lot of times people look at me and say, 'Well, we can't possibly hand a show over to her to run.' It seemed like executives would be worried about me controlling a room and having power, and I'd say, 'Oh, I can control a room. I can give an order like nobody's business.'
I think you have to show people it's cool and fun to work together. It's your obligation. If you can't do it, who can you expect to do it?
You know what I always say to people who say, "Oh, I wish I were 20 years younger"? I say, "Enjoy your age now, because in 20 years you'll be wishing you were this age." You might as well enjoy it at the present time. What I think keeps you young is always having something to look forward to and doing something new.
I think in any situation, so much of effective leadership is when it comes from your own personality. And I feel very fortunate to be comfortable in the Colts locker room, where people can be who they are, and they don't have to change it when they show up to work that day.
The alternative scene, for a couple years now, has been taken seriously and that's a cool thing. I don't think it's exploded or anything, but I think it's pretty cool that it still exists, it's still affecting people.
So you wake up this morning and find you're president of the United States. Pretty cool, no? Helicopters and a 747 at your disposal; courtside seats at any NBA playoff game of your choice; everyone stands up and the band plays when you come into the room.
You come to a country music show and it's like a rock show, it's so different, it's just not what people think it is, it's really cool and I think that if people just give it a chance they'd see that it's really cool and I think that's what people are finally starting to see.
The other cool thing is, even with Jessica [Johnson], or Daredevil, I had taken a break from those characters for a while in the comics, so I can enjoy the shows without the agita. I completely love the Daredevil show. I feel no physical connection to it, because it was 10 years ago since I wrote that comic, so I can just enjoy it. And when people connect it in a positive way to me, I go, "Well, that's very f - king flattering!"
I get a lot of people coming up to me and saying, 'I really hate you.' And they say it in the nicest possible way, and I accept it. It's the people who come up to you and say, 'I really liked your character. Man, he was right!' Those are the ones you worry about.
I get a lot of people coming up to me and saying, "I really hate you." And they say it in the nicest possible way and I accept it. It's the people who come up to you and say, "I really liked your character. Man, he was right!" Those are the ones you worry about.
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