King Lear by William Shakespeare frightens me. I've never done King Lear, I guess partially because my father dwindled into dementia in his last years and King Lear is such an accurate portrayal of a father figure suffering from dementia - the play was almost intolerable for me.
Shakespeare wrote all there is that we need to know about dementia in 'King Lear.
Shakespeare wrote all there is that we need to know about dementia in 'King Lear.'
I guess if they ever do a remake of 'Sophie's Choice,' I could play the Meryl Streep part. I've got to work on my Polish accent. Maybe I'll be the definitive King Lear one day. You know, if they ever feel that King Lear should be more Jewy.
Any older actor knows the last great mountain to climb is to play King Lear and now, if I ever play Lear, I will have done the pre-preparation because I had to go into the play and read it over and over again.
King Lear is undoubtedly the greatest play ever written by Shakespeare - or anybody else for that matter. Hamlet is certainly great, but it doesn't contain as many elements of humanity as we see in Lear.
I used to think 'King Lear' was an analysis of insanity, but I don't really think it is. When Lear is supposed to be at his most insane, he is actually understanding the world for the first time.
When you're playing King Lear, you have to have a little humour, or you will have no tragedy when the king dies.
I think Shakespeare got drunk after he finished King Lear. That he had a ball writing it.
I have no desire to play King Lear or Hamlet. I never had a grand ambition. I just followed my nose.
When I closed in "King Lear" I went into a period of depression for about three weeks, and every actor I've talked to who's ever played a major, major Shakespeare role has done this.
I have three daughters and I find as a result I played King Lear almost without rehearsal.
I think William Shakespeare's like a passport through your life: as a kid hearing about a play with fairies or witches or ghosts, you get excited by that possibility. Then later on you become interested in the psychology or the politics or the beauty of the language. You grow up with the plays. King Lear is one that I don't feel grown up enough to do yet.
The actor is too prone to exaggerate his powers; he wants to play Hamlet when his appearance is more suitable to King Lear.
O, let me kiss that hand! KING LEAR: Let me wipe it first; it smells of mortality.
From the American retelling of Romeo and Juliet in West Side Story to the Japanese adaptation of King Lear in Ran, Shakespeare's cultural influence is virtually limitless.
Some days it seems I've done as much as I can here and I think I'll go and try my luck in America. But then a call comes from the Globe theatre. They want me for King Lear, playing Edmund.