A Quote by Gregory Doran
Sometimes the parallels that are brought in can make the play seem less relevant; you can deny a play's application to the universal by making it too specific. Sometimes having a modern context does make things easier to grasp; sometimes, you go, "Why have they got swords?" "Why didn't Juliet just text Romeo? Why did she bother posting a letter? Why was the Milan post service so bad?" It throws up irrelevant questions that don't help.
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I have been primarily interested in how and why ordinary people do unusual things, things that seem alien to their natures. Why do good people sometimes act evil? Why do smart people sometimes do dumb or irrational things?
[Being judge] is about being honest and giving everybody a fair shot and telling them what you think. Sometimes it's good and sometimes it isn't. It's more important to be honest than say things to make people feel better. I don't think you have to be rude, but I think you have to be honest. But I think it's really important to be specific: Here's what you did that was great and why. And here's what you did that wasn't great and why.
Although things seem to be sometimes going up and sometimes descending, sometimes slipping away, nevertheless there is a reality, the same today as in the past. It does not change, for nothing can affect it. Could we not say it is one great harmony? So why shouldn't we ask about it.
It is through history that we learn who we are and how we got that way, why and how we changed, why the good sometimes prevailed and sometimes did not.
People work too hard to figure out the meaning of their lives. Why me, why now. The truth is, sometimes things don't happen to you for a reason. Sometimes it's just about being in the right place at the right time for someone else.
Sometimes we just have to accept there are things we can’t know. Why is your sister ill? Why did my father die?…Sometimes we think we should be able to know everything. But we can’t. we have to allow ourselves to see what there is to see, and we have to imagine.
Why did Hillary [Clinton] go to Arkansas? Why does she put up with it? In the beginning era of feminism she's considered one of the leading lights. Why does she put up with it? And the short answer is :She's nominated president, the Democrat Party candidate.
But why, some say, the moon? Why choose this as our goal? And they may well ask; why climb the highest mountain? Why, 35 years ago, fly the Atlantic? Why does Rice play Texas?
She holds herself with such reserve. She smiles, but the smile doesn't reach her eyes, even in the company of the girls she's chosen to eat with. Why? I have no clue, and I really don't want to spend my time worrying about it. But my brain pushes at the question anyway. Why are people aloof? Because they don't want to let others in. Why don't they want to let others in? Well, sometimes because they're shy, and sometimes because they're convinced of their own superiority. But those aren't the only reasons. Sometimes it's because thay have something to hide.
There's a myriad of things that go into why movies don't happen right when you make them. If you make a movie in 2010, sometimes it takes up to a year for post-production, and that puts you into 2011, then you have to figure out what your product is, and that takes some time.
Where are you going?" "Nowhere special. I just have some... things to do." "Why did you pause?' "I'm sorry?" "You paused. You have 'some... things to do.' "No reason, I just--" "You're up to something." "No--" "Then why'd you pause?" "Get in the car." She got in. He got in. "Seat belt," he said. Why'd you pause?" His head drooped. "Because I'm up to somthing." "And why can't I come with you?" "Because it's something sneaky." "Do you promise to tell me later?" "I do." "Well all right then." She clicked her seat belt into place. "Let's go.
Everyone's scared. So scared they can't sleep sometimes. Or eat. Or keep their weight on." "Then why bother playing?" I asked. It was a whisper, this question. "Because. You love the game. You love the people you play with. You love winning, maybe. You love that one moment when you get it right . . . I dunno. Why do you play?" "Because," I whispered, "it's who I am." Sounds like a good reason to me.
You can also see sometimes that the best pictures are the ones where you didn't try so hard, where you were just enjoying the process - and you didn't even know why you were making the picture. It felt right. If someone asked, 'Why are you making this picture?' you probably couldn't describe it very well - and that's why it needs to be a photograph.
I never question God. Sometimes I say, 'Why me? Why do I have such a hard life? Why do I have this disease? Why do I have siblings who died?' But then I think and say, 'Why not me?'
When you ask why did some particular question occur to a scientist or philosopher for the first time, or why did this particular approach seem natural, then your questions concern the context of discovery. When you ask whether the argument the philosopher puts forth to answer that question is sound, or whether the evidence justifies the scientific theory proposed, then you've entered the context of justification. Considerations of history, sociology, anthropology, and psychology are relevant to the context of discovery, but not to justification.
I never tried to make a cartoon for a certain age bracket. I just tried to make entertaining pictures. That's why they still play and why they play so well in foreign countries.
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