A Quote by Gregory Doran
There's a wonderful author named Can Themba, who said that Africa extends a fraternal handshake to Shakespeare. That William Shakespeare would have recognized Elizabethan England more readily in Africa today than in England today.
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I'm extremely positive about investment in Africa. Africa has a wonderful climate, wonderful people, and amazing possibilities. Africa has been called dark and hopeless, but today it is neither of these. Africa is awakening. It's a huge market of almost a billion people with huge resources and a young population. It's the best place to invest.
In many ways, 'William Shakespeare's Star Wars' is modeled on Shakespeare's Henry V, which relied on a chorus to explain in words the battles of Harfleur and Agincourt that could never be captured on the Elizabethan stage.
We don't go to Shakespeare to find out about life in Elizabethan England; we go to Shakespeare to find out about ourselves now.
I think there are one or two things similar in Elizabethan English and contemporary Hebrew. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.
I guess, is we are not saying, "Look, William Shakespeare's written a critique of modern Africa." What we're saying is that we've shifted the metaphor to make it more immediate.
The classic theology of my tradition comes from the French Renaissance. [William] Shakespeare was born in 1564, the year [John] Calvin died, and that theology was very influential in England in his lifetime. I think Shakespeare was attentive to questions raised by it, about human nature, history, reality itself. I find the two literatures to be mutually illuminating.
England has two books, the Bible and Shakespeare. England made Shakespeare,but the Bible made England.
I've done a lot of Shakespeare onstage, and I'm not convinced that the Earl of Oxford was the author of all those works, but I am convinced that the Stratfordian William Shakespeare was not. My feeling is that it was an amalgamation of many writers, in the same way that most films are a collaborative endeavor.
The U.K. and the U.S. could not have been built today without Africa's aid. It is all the resources that were taken from Africa, including human, that built these countries today! So when they try to give back, we shouldn't be on the defensive.
I went to the William Penn Charter School in Philadelphia, where I had a teacher really named Edward Shakespeare. He was a very influential figure in my childhood - I acted in high school a few times, but Mr. Shakespeare got me to lead in 'The Crucible.' I played John Proctor.
If Shakespeare and Michelangelo were alive today, and if they decided to collaborate on a comic, Shakespeare would write the script and Michelangelo would draw it. How could anybody say that this wouldn't be as worthwhile an artform as anything on earth?
If we study history and anthropology we will find that all over the world the original people are Black people who migrated from Africa. This is confirmed by recent DNA studies. The only reason that we don't readily accept this is because we are indoctrinated to believe that Africa is the worst place that has ever been. If we had a more positive attitude about Africa we would run to it instead of running from it.
The reason that I'm a writer today is because of Shakespeare and falling in love with Shakespeare when I was 8. That was through the movies, actually - through Olivier's 'Hamlet.' That was the first thing that got me to fall in love with Shakespeare and movies and everything in one big preadolescent rush.
I've been studying how quickly we can get energy out to the poor countries - a lot of which are in Africa - and how little progress we've made there. There's no more electricity today in sub-Saharan Africa per person than there was 20 years ago.
I think about Shakespeare. Because there have been hundreds of variations of Shakespeare's plays since they've been written, and I believe it's because they're important. They're still relevant today. 'Roots' is still relevant today. The idea that we shouldn't tell this story again is very strange to me.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
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