A Quote by Gregory Doran
Sometimes it can get overburdened with nuance - the actors find all sorts of different spins on the lines that can lose simplicity and directness. They all become fond of their extra stresses and the audience are going, "Just give me the line simply, what did you mean?" You have to ward against that.
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I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.
. . . you did not seem to me over-fond of money. And this is the way in general with those who have not made it themselves, while those who have are twice as fond of it as anyone else. For just as poets are fond of their own poems, and fathers of their own children, so money-makers become devoted to money, not only because, like other people, they find it useful, but because it's their own creation.
I find that kid actors are great reminders of the simplicity of acting. As you get older, you can sometimes complicate things a little more. You can become too aware of, 'Okay, this is the scene emotionally. This is where we need to be. We've got the climax coming up.' You can start to analyze it too much.
Be prepared to cut your little extra lines that come after a big punchline and move on to the next joke or routine to give your set more punch and crispness. You can keep them in your set, but if the audience applauds your big line, don't do your tag when it dies down, just move on.
The difference between ordinary and extra-ordinary is so often just simply that little word - extra. And for me, I had always grown up with the belief that if someone succeeds it is because they are brilliant or talented or just better than me... and the more of these words I heard the smaller I always felt! But the truth is often very different... and for me to learn that ordinary me can achieve something extra-ordinary by giving that little bit extra, when everyone else gives up, meant the world to me and I really clung to it.
I start out with words, with the idea, the line. Then after I get a line or two, I try to find what melodic line those lines would be suited to. As soon as I find the form I can finish the song in my head.
If directors, actors and writers have the ability to drop their alpha-male egos, you will always get better work. In terms of my own demands, I actually want fewer lines. If I can lose a line and do it with my face, I'd rather do that.
I believe that I've grown in my acting career because I've become more confident. I've become less worried about what people think. When I go into a meeting - 'audition', I have a different sense of self when I walk into the room. I'm here to give you my interpretation of your lines. This is my stage; I'm not waiting to be hired by you to be on your stage. We all might die tomorrow, so I'm going to have to live in my gift, today, and give you the best performance in this room, right now, in case this is the last time you get to see me!
What appeals to me about 'Blind Willie' is just how sparse that music is. Just this idea - the grain of it, the rawness of it and the simplicity of it. The directness of the language.
I'm just going to be the best version of me that I could possibly be and be as funny as I possibly can. I've just got to be myself and hopefully people will find me. And my audience did find me.
There are lines that just stick with me, like I mean I still can remember it's like every line that I say from Nightcrawler, I mean it's just always there.
Sometimes people come up and say, "You have this line in this song and it meant a lot to me." You don't always remember that line as the one. You're putting part of your human being on the page so people are going to have different responses - the other humans are going to connect with different parts.
I mean, sometimes... a comedian becomes an actor, and they just don't deliver, because the bottom line of comedy is to be funny, and the bottom line of acting is to be truthful, and they get that mixed up sometimes, or don't even notice that that's the thing.
Often in films there's more of allowing the actors to make the dialogue fit better in their own. Also, you get to a location and the geography is different, so the lines don't line up the right way, so you do have to change stuff.
Many nations use language simply to convey information, but it's different in Ireland. With most conversational exchanges you get an 'added extra' like the free little biscuit you sometimes get with a cappuccino in a fancy coffee place.
You may use different sorts of sentences and illustrations before different sorts of audiences, but you don't -- if you are wise -- talk down to any audience.
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