A Quote by Gretchen Rubin
Often, if there's something that I want to do, but somehow can't get myself to do, it's because I don't have clarity. This lack of clarity often arises from a feeling of ambivalence - I want to do something, but I don't want to do it; or I want one thing, but I also want something else that conflicts with it.
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You want to be the first to do something. You want to create something. You want to innovate something...I often think of Edison inventing the light bulb. That's what I want to do. I want to drive over the bridge coming out of New York there and look down on that sea of lights that is New Jersey and say, `Hey, I did that!'
Look, I'm an entrepreneur, I want to create things, I'm a builder. I don't want handouts. If I didn't play football I'd be doing something else. That's me. I don't want to be held back. I want to go forward. I want to better myself.
The thing that makes me want to write a piece of music is having something to talk about, you know? Something I want to get across. Because I'm a composer, music is my first language, and that's what I reach for when I want to convey something.
It's not a very sane thing to try to be great all the time. You want to make something magical; you want to make something wonderful; you want to give to everybody; you want to heal people; you want to still be inspired. That's not easy.
I stopped reading William Faulkner because it's hard work. I want to read a good writer, but I also want to read something where the pages are going to move along. That's what I want. It doesn't have to be a thriller or a mystery. Just something where I get caught up in the story.
I told myself, 'All I want is a normal life'. But was that true? I wasn't so sure. Because there was a part of me that enjoyed hating school, and the drama of not going, the potential consequences whatever they were. I was intrigued by the unknown. I was even slightly thrilled that my mother was such a mess. Had I become addicted to crisis? I traced my finger along the windowsill. 'Want something normal, want something normal, want something normal', I told myself.
What naturally you want to do if you were a prominent person in the public light and you are disgraced, you want to make a comeback, and normally that begins with somebody saying, “I want to do something to help people. I want to do something to help the lepers in the Third World. I want to do something to help abandoned wives in India.”
What naturally you want to do if you were a prominent person in the public light and you are disgraced, you want to make a comeback, and normally that begins with somebody saying, 'I want to do something to help people. I want to do something to help the lepers in the Third World. I want to do something to help abandoned wives in India.'
I don’t want to stand before you like a thing, shrewd, secretive. I want my own will, and I want simply to be with my will, as it goes toward action. And in the silent, sometimes hardly moving times, when something is coming near, I want to be with those who know secret things or else alone. I want to unfold. I don’t want to be folded anywhere, because where I am folded, there I am a lie.
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
When I'm an audience member I do not want to go and see something that I already know, I want to see something that I don't know. I want to be surprised and stimulated to think about something. I want the magic. I want to be in a situation of uncertainty; that's what excites me.
When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.
As a player I have to be ultra-careful, especially in supermarkets. How often does somebody pick up something, realize they don't want it and put it back for someone else to touch. So yes, I put my mask and gloves on to be safe because you don't want to get ill, do you?
Often, when I finish a film, I'll have that feeling inside me: 'I never want to do this ever again. I don't want to pretend anymore. I want to be myself and do that.'
Often the greatest act of courage is admitting that one has made a mistake...Follow your hearts. Protect one another, trust one another, because, at the end of the day, all of these people want something from you, or want you to do something for them, or be something that you are not. Your own responsibility is to one another.
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
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