A Quote by Grimes
Sometimes you find people who are magnetic, but once they get in front of a camera, they freak out and get weird.
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It's funny - sometimes when you approach people they get freaked out but occasionally you'll find a gem who's unselfconscious in front of the camera.
I don't like to put too much effort into things. I find that once you get involved with special effects it is no longer about what is happening in front of the camera and I really want to concentrate on what is happening in front of the camera, like the man apparently peeing on the surface of the screen.
People just like to be on camera. There's a huge desire to be in front of the camera, and once there, people will say and do almost anything. It's sort of a drug, and I think people get addicted to it.
I used to get a sort of sociophobia, and I still get it sometimes these days when I'm in a confined space with too many people. It's not like I freak out or anything, it's just that I'm far more comfortable in my own company sometimes than being surrounded by one thousand strangers.
In wrestling, sports entertainment, I get to fight in front of people; I get to wrestle in front of people; I get to entertain people sometimes four times a week - all around the country, all around the world.
I don't like getting up in front of people and being the loud one when everybody's out quiet and you're the only one talking. I'm not a fan of that. I'm fine when I get in front of a camera, I don't care. You'll never see me on stage. Not at all.
Do you have a camera?" Jackson asked. "We could get some pictures and may be take a print or two if we're lucky." Jonas shook his head. "We'd probably get a bunch of ghosts and that would just freak me out.
Every time you get on a stage or in front of a camera, the whole exercise is about imagination. You're constantly depicting something that doesn't exist, and trying to find the reality of it. Once you settle on that premise, everything else is a matter of degrees.
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
Whether I'm in front of the camera, behind the camera, at my computer writing a novel or a screenplay, as long as I get to entertain someone out there, I'm happy.
As a comedian, I can walk out in front of 5000 people and not worry about a thing. Not a thing, believe me. But to stand up a face a camera and crew of maybe 15 guys and get up tight about it - to me that's weird.
I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
I'm not entirely comfortable saying I'm an actor, because it seems like a very weird, almost dorky thing to say you are. I laugh after every take just out of the discomfort I feel that I'm even on film. It's an awkward thing for me to be doing. Once we get going, it's always fine, and as we're shooting, I'm never thinking about it. I'd say that all my time in front of the camera is equally uncomfortable for me.
Sometimes you just gotta get in front of the camera because sometimes you have a long break between things, or you're auditioning and maybe nothing's really happening.
'Hollyoaks' is where I learnt a lot of the craft, being in front of a camera six days a week. That's certainly an experience you don't get in drama school. It invites you to be comfortable in front of the camera.
I get really self-conscious about people staring at me. It sounds so weird. As a performer, as an artist, these should be the things that I'm used to. But that's not the case. When people stare at me, I freak out.
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