A Quote by Guillermo del Toro

For horror to work, you have to be afraid. You have to keep the monster in a black and white light.

Guillermo del Toro

Quote Topics

Afraid Black Black And White Horror Keep Light Monster White White Light Work

Quote Author

Guillermo del Toro
Mexican - Director
Born: October 9, 1964

Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there.

David Lynch

It [horror genre] never dies. It just keeps getting reinvented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.

John Carpenter

When we hold a photo negative up to the light all objects are reversed. Black is white, white is black. Moreover, the character lines of any face in the picture are not clear. Once placed into the developing solution, what photographers call "the latent image" is revealed in the print-darkness is turned to light; and, lo, we have a beautiful picture.

Catherine Marshall

The whole basis of working in black and white and grays became the basis of my understanding of color, because it's all about tone, it's all about light and dark. If you don't get that, then your color work is going to be a mess. So that's the beginning of the toolkit: drawing and black and white media.

David Small

Black women . . . work because their husbands can't make enough money at their jobs to keep everything going. . . . They don't go to work to find fulfillment, or adventure, or glamour and romance, like so many white women think they are doing. Black women work out of necessity.

Wilma Rudolph

My mother bore me in the southern wild, And I am black, but O! my soul is white; White as an angel is the English child, But I am black as if bereaved of light.

William Blake

... to be afraid is in a way to be hopeful, because to be afraid means that you haven't given up. You know it doesn't help, but you keep thrashing. The monster has you pinned to the wall, but you're not ready to say, 'Oh, hell, eat me.

Betty Rollin

...I see that White Light will only return to the planet when every human being recognizes every other human being as an individualized frequency of the White Light. As long as we keep eliminating or devaluing other human beings we have decided we don't like, ie., destroying frequencies of the spectrum, we will not be able to experience the White Light. Our job is to protect and nurture each human frequency so that the White Light can return.

Bruce H. Lipton

It would not take a monster to destroy a monster - but light, light to drive out darkness.

Sarah J. Maas

I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.

Malcolm X

I think that one of the hardest things in the world to be is a black male. I mean everyone hates your guts. White men are afraid of you. White women are afraid of you. The cops hate you. The government wants you dead. Your own people want to shoot you for what you got. You just can't get over it. And even if you are able to get over it you're forced to do it on the white guy's terms.

Henry Rollins

The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.

Bryan Fuller

I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.

Mary Ellen Mark

In black America there's such a thing as passing, the black people who are light skinned and they will pass for white.

Juan Williams

People hear that I am a horror writer and they think that I must be a monster, but actually I have the heart of a small child - I keep it in a jar on my desk.