A Quote by Guillermo del Toro

The underground of the city is like what's underground in people. Beneath the surface, it's boiling with monsters. — © Guillermo del Toro
The underground of the city is like what's underground in people. Beneath the surface, it's boiling with monsters.
Underground. Which I hate. Like mines and tunnels and 13. Underground, where I dread dying, which is stupid because even if I die aboveground, the next thing they'll do is bury me underground anyway.
The underground went really underground. Grand Funk, and all these people man are the moderate's choice of music. Underground is Yoko Ono, The Black Poets. These people scare the hell out of most freaks. They laugh at Yoko Ono, but it's the whole cliché.
On some summer days in New York City, the air hangs thickly visible, like the combined exhalations of eight million souls. Steam rising from vents underground makes you wonder if there isn't one giant sweat gland lodged beneath the city.
So, I play in a band. It's a really underground band. Super underground. Very underground. Like, we don't even actually play.
I like the word 'underground'... 'independent' carries a stigma of whininess. 'Underground' means a good time.
I was like, 'Oh, let's do a show about the Underground Railroad.' I never come up with great titles, and I thought, 'Underground' is a fantastic title. I got really excited.
No doubt Carter would describe the underground city in excruciating detail, with exact measurements of each room, boring history on every statue and hieroglyph, and background notes on the construction of the magical headquarters of the House of Life. I will spare you that pain. It's big. It's full of magic. It's underground. There. Sorted.
My whole goal in this industry nowadays is to keep doing the underground stuff, but to be able to add vocals that are sexy and underground.
The underground is not a place but a way of life. You can be underground most anywhere, from the Upper West Side of Manhattan to Hermosa Beach, California.
The last time I put out 'Raw,' that boosted me up in the underground to one of the top underground artists who was making moves and touring around the world.
Underground people pay a desperate toll finding out things nobody else has discovered yet. We run around like headless chickens looking for the next cultural fix to spiral around in before it gets appropriated somewhere else and becomes something it never was. There's this sort of one-upmanship in the underground.
The underground always has the best ideas. Sometimes those underground artists transcend and make it to the mainstream, but most of the time, the big guys just steal from us.
In many ways, my entire graphic novel career was a long diversion. Originally, all I wanted to do was to be an underground cartoonist and maybe bring out a groovy underground mag.
What was once underground is now coming to the surface.
I've worked as a singer in metal bands for over ten years now, so I've definitely kind of put in my time building that underground family, that underground, loyal fan base.
I think what's happenin' is that, with the overflow of music, it's been diluted. There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio.
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