A Quote by Guillermo del Toro

I don't want to move over to Beverly Hills. My goal is to make the movies I want to make and support the people I want to support. That's it. — © Guillermo del Toro
I don't want to move over to Beverly Hills. My goal is to make the movies I want to make and support the people I want to support. That's it.
I want to make sure that I am the leader that respects the fact that kids all over the city and hopefully all over the country really understand that they can do anything that they want to do, that they set their minds to do, as long as they've got good, strong support from adults and love to support them.
I want to make movies - and I want to portray characters - that make people think. I want to make movies that have a redemptive message. I want to tell good quality stories and take out the derogatory sex, violence and language.
For instance, I'm in Beverly Hills right now at a hotel. I told myself, "Man, it's so beautiful out here. If I ever moved to L.A., I would probably want to buy a house in Beverly Hills." The thing is, once I leave Beverly Hills, [I realize] there's no bodegas in Beverly Hills. Once I leave L.A. and go back to Miami or if I go visit New York, it's like, "Oh man, there's the bodega." What I'm saying is that you can't forget the reality. Sometimes people take success and forget about reality.
I don't think scientists can dictate from above what we should do, because it's not a matter of scientific decision. If you want to have everybody living like a Beverly Hills millionaire, then 2 billion people might be too many. If we want to have a battery-chicken kind of world, with everybody having an absolute minimum diet, you might be able to support 10 billion.
It [moviemaking] is about entertaining audiences with great characters and great stories, you want to make people laugh, you want to make people cry, you want to have great music that is memorable. You want a movie that, as soon as it's over, you want to watch it again, just like that. That's what it is, whether it's live-action, animation, hand drawn, computer, special effects, puppet animation, it doesn't matter. That's the goal of a filmmaker.
I don't live with the 'right' people. I don't want to. I don't want to live with the rich in Beverly Hills or walk the streets of Hollywood. I want to go to K-mart and get good deals.
I want people to see my movies. My talent, my sensibilities are what people want to see in the movies... While I have the talent to make the kind of movies people want to see I want to continue to do that, keep making big pictures and make what I love. I’m really just making the films I want to see. There’s not a strategy.
My first impression of Beverly Hills was that it had a landscape of small houses built by famous architects, so I didn't want to make a big block or sculpture here; I wanted to make a community rooted to the place.
I want to make all kinds of movies. I do want to make big movies that are a lot of fun to go to, but I also want to make movies that are going to stimulate some thought and maybe raise some awareness.
The people still get to choose whether they want to support conservatives or if they want to support Mr. Trump, whose record is not conservative.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
I hear a lot of, "We want to make a movie with you." Then "No, we don't want to make this one. We want to make that other movie with you." I don't really get that and it's very frustrating. It angers me. Because my movies are my movies.
I want to thank the fans so much for their support through the years. Even as undeserving as I was, they were a big part of my being able to move forward and put my life back together. They're the greatest. They're the ones who make the stars. For their support throughout my career and today, I love them and thank them.
There's a certain kind of time that's metronomic, that's correct, but doesn't want you want to dance. It doesn't make you want to move, and it doesn't make you want to play.
People are proud to be from Baltimore. In any industry you work in, you need support to survive. And this city has that support for anyone who was born here or lived here. And it also gives you the feeling, 'Oh, I stand for this place. And if I do something I'm not proud of, I might not make my town proud.' And I want to make Baltimore proud.
You don't want the biggest record deal as far as money goes, you just want to make sure that the people at the label really support your band and the music and stuff.
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