A Quote by Guillermo del Toro

What is fantastic for me is that the Romantic movement comes out as a counter balance to everything that has been accumulating since the Age of Reason. I think the downfall of imagination as a genre or as a perception starts with the Age of Reason, which says everything else that came before us, all those superstitions, all those myths, are childish.
I think there's a level at which you think that there's a reason that you're being singled out, that you're being chosen. As a kid, I was always mistaken for a girl. Before you reach that age where your sexuality starts to display itself, kids can look very androgynous, and I guess I leaned more toward the feminine. All those things were very hard, growing up, because you're trying to create an identity, and you're feeling shameful about the one that you're making. So, I identified with it a lot.
Each new development starts from something else. It does not come out of a blue sky. You make use of that which has already entered the mind.... That is the real reason for accumulating knowledge.
We put limitations on the way that we think about things, on ourselves, think about all the boxes we live in, male or female, you're this age, that age, this is your job, this is not your job, everything is about getting boxed in. I think we accept a lot of those boxes, that labeling, and the way that we perceive the world, but what even is perception? It all seems pretty flexible to me.
Imagination is no longer conceived as simplistically opposed to perception and reason; rather, perception and reason are recognised as being always informed by the imagination.
God gave us reason. He gave us the ability to reason and also have faith and I think that reason and faith go together. I don't think that they're opposed. I think we've reached the point where we need to look at modern superstitions and hold them up to the light of reason and accountability.
Everything we've ever done has been for artistry's sake, and for the greater good and paying homage to those who came before us and paving the way for those who come after us.
With the mega-fame came the mega-downfall - you know, with the press and everything - and at a young age, it was very stressful to me.
I think in theater the playwright is king. Those words are unchangeable. They are the reason that everything else flows from.
Fear of error which everything recalls to me at every moment of the flight of my ideas, this mania for control, makes men prefer reason's imagination to the imagination of the senses. And yet it is always the imagination alone which is at work.
Listen- all that she was then, all that she is now, those gestures, everything I remember but won't or can't articulate anymore, the perfect words that are somehow made imperfect when used to describe her and all that should remain unsaid about her- it is all unsupported by reason. I know that. But that enigmatic calm that attaches itself to people in the presence of reason- it's something from which I haven't been able to take comfort, not reliably, not since her.
I think I like about coming-of-age stories is that there's everything in them. It's a genre that kind of contains everything: you have the chronicle, you can go into naturalism, but it's also about transforming physically, so it's kind of a fantastical genre.
But what I think I like about coming-of-age stories is that there's everything in them. It's a genre that kind of contains everything: you have the chronicle, you can go into naturalism, but it's also about transforming physically, so it's kind of a fantastical genre.
It's funny: the reason I did 'Beautiful Creatures' was the same reason I did everything else - even though it was a genre film and existed at a more studio level, the script and the characters were so well written.
Ever since childhood, I've been interested in history and myth. Not just the facts and figures of the past, but everything that contributes to shape our perception of an age: architecture, art, literature and so forth.
Everything happens through immutable laws, ...everything is necessary... There are, some persons say, some events which are necessary and others which are not. It would be very comic that one part of the world was arranged, and the other were not; that one part of what happens had to happen and that another part of what happens did not have to happen. If one looks closely at it, one sees that the doctrine contrary to that of destiny is absurd; but there are many people destined to reason badly; others not to reason at all others to persecute those who reason.
I'm trying to make some sense out of the phrase "Everything happens for a reason," and I think I've figured out what the reason is - to pissed me off.
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