A Quote by Guillermo del Toro
Ghosts are a metaphor that can be interpreted so many different ways. There's no ending to what you can do. You can make it a fun ghost story. You can make it a deeply disturbing, psychological ghost story.
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This is a story about a family and, as there is a ghost involved, you might cal it a ghost story. But every family is a ghost story. The dead sit at out tables long after they have gone.
I'm not 100% sure 'Rebecca' qualifies as a thriller, given it's three parts screwed-up love story and two parts ghost-story-without-a-ghost, but the mystery at the heart of the novel is what happened to Maxim's first wife, the eponymous Rebecca, and it's unravelled with the pacing and finesse of the finest psychological thrillers out there.
Rather than a horror film, a ghost story is different because a ghost is what you can't quite see.
The fundamental difference between the mystery story and the ghost story is the fact that a mystery demands a solution for its effectiveness; a ghost story is necessarily unsolvable; the reader must be willing to accept the fact that nothing is proved.
I've wanted to write a ghost story for years, and my main aim was to write the most frightening ghost story that I could think of.
I have to say my favorite stories are ghost stories. I don't like to see these made-up monster films or scary films with ghosts. It doesn't do anything to me. But a real ghost story that someone tells me, that I like.
These stories are ghosts, bringing people back from the dead. Just for a moment. For a visit. Every story is a ghost.
Every comedian has a moment in his life when he realizes he's a little bit different from everyone else. It's like being the only guy in a movie who sees the ghost. The ghost talks to you and you talk to him. Then you turn to your friend and say, "Hey. Do you see that ghost? And he says, What ghost?"
Over the years, I've come to realize that sometimes a ghost isn't always a ghost. Sometimes, telling a ghost story is a way to talk about something else present in the air, taking up space beside you. It can also be a manifestation of intuition, or something you've known in your bones but haven't yet been able to accept.
Certainly, it includes that. I want the story to be interpreted in as many ways as possible, and of course, the bad blood aspect of it included. For instance, perhaps this is a story not about the hereditary nature of evil, but rather you could interpret it from a different perspective, too.
But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil's Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
Why a ghost story? Well, I love them. They're fun to read - and, yes, fun to write.
I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.
I enjoyed [Celebrity Ghost Stories]. I never thought in a million years that I would tell people that I saw a ghost. And I've seen a lot of ghosts.
If you were writing a short ghost story, I would say start very quietly and go, 'One, two, three jump.' Or start with a jump and make it jumpier. But with a long story, it must have rises and falls.
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