A Quote by Guillermo del Toro
I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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Part of why I wanted to produce was because I wanted the opportunity to work on projects I want to see. As a writer and as a director, I'm very specific about the kinds of things that I want to do. The opportunity that producing has given me is that by working with different writers and trying to get their movies made, or developing their script, or making their movies, every time I'm doing it, I'm learning and then bringing something to my own work. I like to think that there's a little bit of back and forth that goes on.
When you produce and direct, your movies are different to you. They're not just something you act in.
I don't know necessarily that I would produce under my own company right now. Producing is not something that I'm thinking about. Directing is something that I will be doing very shortly, trying to figure out what to get my hands on. And I can't imagine writing a script and wanting to direct it and not having a producing credit, because I would want to have a big chunk of power on that end, if I wrote something.
Every movie, especially when you get involved... takes something out of you. You learn something, but you give something to the movie. And after the movie, if the experience has been intense and a true experience, you're a little different afterward.
It was not very difficult for me to adjust in WWE because of my previous experience. Stylistically, this company is quite different from other promotions, but adapting to it is part of the job.
I produce more movies than I write, but when I write, it is such an immersive, intense process that it probably takes as much or more time than producing multiple movies.
When you go to the movies with your whole family, it's a different experience. For some reason, it's something that you're all doing together and you take away something special in that.
I feel like my soul yearns to experience something new at all times. That may be an encounter with a new place or persons or a song that plays and urges me to dance in a different way. I come alive when there is a chance to learn or do something different.
I grew up on certain movies, particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that.
During my career as a standup and actor, I realized it was very frustrating for me to get hired because Hollywood was hiring a different kind of brother, you know, and I was doing political humor... In order for me to really have a long career, I'm going to have to learn how to write and produce for myself... I had no idea I was really going to like it and I'm very fortunate to be successful. But the idea was to always eventually create something for myself. That was the idea from the beginning when I went into writing and producing.
When you are producing for ABC, you are producing for a big tent network. So when you are thinking about your story lines and characters, you are thinking about broad appeal. When you are producing for a niche interest, you are producing for a different audience.
So what's really behind the 'English Only' Movement? Fear. Fear of being taken over and one day they will have to learn something different. Heaven forbid they would have to learn something new.
Whatever you could do with your hands was important because it kept you in a motion of being able to produce something, and producing something kept you balanced in a way.
You have to be willing to grow. Growth is different from something that happens to you: You produce it. You live it. The prerequisites for growth are the openness to experience events and the willingness to be changed by them.
You can only learn by opening yourself up to engage with different sources of information. How can you learn something if you never see it, read it, or hear it?
For filmmakers who've made multiple movies, they have experience, but they only have experience of themselves as a filmmaker. Whereas I'm bouncing around from different skill sets: the organizational ability of Ridley Scott to the precision of a Ron Howard to the artistic sensibilities of a Peter Weir... to the scope of a Tom Hooper.
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