A Quote by Guillermo del Toro
I really wanted the house to be a character. And I knew, I said, I'll produce that one, but if I direct it, I need to build a house.
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I bought some land in Portugal, on the highest hill in Guimaraes, because I pictured that I wanted to build my house there. I said, 'What a perfect place this would be,' but I forgot to ask the council if I could build a house there. When I did, they said, 'No!'
If you put someone in a room with no script to direct, they're just going to sit there. Writing scripts is the execution for a show. Then the director takes that and hires people. It's like trying to build a house without any bricks. You need the script. I could build the house, but I have to know how.
What you need to do is build the house you will live in. You build that house by laying a solid foundation: by building physical, emotional, mental, and spiritual health.
I was going to do a big radio show, and I said to my driver, 'Radio can wait, take me to the Full House house.' It literally was a drive-by. I photobombed the Full House house yesterday. I took like 20 pictures because I thought I didn't look good in any of these - you can't see the house! You gotta really show that that's the house!
I love the theater. I love the rehearsals. That's where you build a performance. That's your foundation. If you're gonna build a house, you start with the foundation. That makes the house strong. That's the way I build a character, from the foundation out.
TREE HOUSE A tree house, a free house, A secret you and me house, A high up in the leafy branches Cozy as can be house. A street house, a neat house, Be sure to wipe your feet house Is not my kind of house at all- Let's go live in a tree house.
I was very lucky to be offered a lovely piece of property to build a career on. I started building a house on it, but it wasn't necessarily a house I would want to live in. So I ripped down that house, and I worked with these great lumberjacks to build a really cool cabin-a place I want to drink whiskey in and hang out until the sun rises.
The other slaves in the field never let that house slave knew - know what they were really thinking. If the house slave said, well one of these days all of us will live in the plantation, they said, uh huh. They went along with him. But if you came up to them and said, let's go, they would be gone just like that.And in, in America you have the same situation.You have the vast masses who are still slaves.
Regard it as just as desirable to build a chicken house as to build a cathedral. The size of the project means little in art, beyond the money matter. It is the quality of the character that really counts.
I can't see myself - I'm not really looking so far ahead in the future. I know that I kind of need to live in the country even though I'm not - my house isn't in the country right now. I bought a house, like a really tiny, cheap house in Wisconsin.
It was just my mom, my sister and me. And from a young age, my mom always said I was like the man of the house. I really became the man of the house. And I really took that responsibility very seriously: being the man of the house, the protector.
I liked the idea of architectural games - you're always building and rebuilding. And I still thought of myself in opposition. I thought, If architects build a dream house, then I want to build a bad-dream house. My piece was called Bad Dream House.
Ted Cruz said he wanted to find a compromise. Ted Cruz said he wanted to bring 11 million people out of the shadows. Ted Cruz said that he wanted immigration reform to pass. Here's the bottom line. I tried to solve a very difficult issue, and we tried to produce the best and most conservative bill possible in a Senate controlled by Harry Reid at the time, and then send it over to the House and have them, conservatives, make it even better.
As I've long said, the farm bill is in need of major reform. At first chance, I voted to remove direct payments. Both the House and the Senate passed bills that end direct payments, and as we move forward, I hope we can work out the rest of the issues to implement the necessary reforms.
The actual sight of a first-class house that a Negro has built is ten times more potent than pages of discussion about a house that he ought to build, or perhaps could build.
When I was a little kid, I wrote this play about all these characters living in a haunted house. There was a witch who lived there, and a mummy. When they were all hassling him, this guy who bought the house - I can't believe I remember this - he said to them, 'Who's paying the mortgage on this haunted house?' I thought that was really funny.
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