A Quote by Guillermo del Toro

: There are only two on-buttons for fear, in any permutation you want. One is when something that shouldn't be is, meaning a presence. And, the other one is an absence.
We may feel fear but we do not have to give in to it. We can do whatever we need and want to do, even if we have to "do it afraid." Courage is not the absence of fear; it is action in the presence of fear.
Darkness is the absence of light. Happiness is the absence of pain. Anger is the absence of joy. Jealousy is the absence of confidence. Love is the absence of doubt. Hate is the absence of peace. Fear is the absence of faith. Life is the absence of death.
Mystery is not the absence of meaning, but the presence of more meaning than we can comprehend.
If something you want is slow to come to you, it can be for only one reason: You are spending more time focused upon its absence than you are about its presence. If
I believe the only reality is how we treat each other. The morality comes from the absence of any grander scheme, not from the presence of any grander scheme.
I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I only feel in my bones and which can only be experienced in those bones. Basically it is nothing other than this fear we have so often talked about, but fear spread to everything, fear of the greatest as of the smallest, fear, paralyzing fear of pronouncing a word, although this fear may not only be fear but also a longing for something greater than all that is fearful.
The Mutakallemim... apply the term non-existence only to absolute non-existence, and not to absence of properties. A property and the absence of that property are considered by them as two opposites, they treat, e.g. , blindness and sight, death and life, in the same way as heat and cold. Therefore they say, without any qualification, non-existence does not require any agent, an agent is required when something is produced.
The declared meaning of a spoken sentence is only its overcoat, and the real meaning lies underneath its scarves and buttons.
Not only the grounds of the opinion are forgotten in the absence of discussion, but too often the meaning of the opinion itself... Instead of a vivid conception and a living belief, there remain only a few phrases retained by rote; or, if any part, the shell and husk only of the meaning is retained, the finer essence being lost.
There are only two feelings, Love and fear: There are only two languages, Love and fear: There are only two activities, Love and fear: There are only two motives, two procedures, two frameworks, two results, Love and fear, Love and fear.
Courage is resistance to fear, mastery of fear - not absence of fear. So many look to eradicate fear from their lives, when that is an impossible task. You can certainly experience moments in absence of fear, however accept that fear will be with you whenever you are in the process of living creatively. The challenge is to go ahead regardless, simply notice the feeling and manage being courageous.
Absence does not so much make the heart grow fonder as give the heart time to integrate what it has not previously absorbed, time to make sense of what happened too quickly to have any meaning in the instant. This is always true. If it is in absence that people forget each other, it is also in the quiet pause of absence that, minds running in symmetry, people come to know each other; there is sometimes as much intimacy in the span of continents as in the shared hours before dawn.
Solitude in the city is about the lack of other people or rather their distance beyond a door or wall, but in remote places it isn’t an absence but the presence of something else, a kind of humming silence in which solitude seems as natural to your species as to any other, words strange rocks you may or may not turn over.
I love actors that are brave, that are courageous. And courage to me is not the absence of fear, it's the presence of fear, and they go to places that really scare them, because as an audience, that's where you feel danger.
Many of our miseries are merely comparative: we are often made unhappy, not by the presence of any real evil, but by the absence of some fictitious good; of something which is not required by any real want of nature, which has not in itself any power of gratification, and which neither reason nor fancy would have prompted us to wish, did we not see it in the possession of others.
The theme of the collection this time is MONSTER. It's not about the typical Monster you find in sci-fi and video games. The expression of the Monsters I have made has a much deeper meaning. The craziness of humanity, the fear we all have, the feeling of going beyond common sense, the absence of ordinariness, expressed by something extremely big, by something that could be ugly or beautiful. In other words, I wanted to question the established standards of beauty.
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