A Quote by Guillermo del Toro
I was part of a group that had a cinema club so every week we would project two or three movies on 16 or 35mm.
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At every club I have been at I have had a test in the first few weeks from the big players at the club. At that moment you define your success at that club, you either win the group or you lose the group.
I write in the mornings, two or three hours every day, and then at least four times a week I play in a duplicate game at a bridge club. I try to go to tournaments three, four, or five times a year.
I had just 15 days to work on my body for the climactic fight of 'Bodyguard.' And I would work on every muscle of my body two/three times a week. I would have developed a superb body if I had three months, but squeezing it into 15 days can be harmful. Also, as you grow older, your metabolic rate slows down.
The Blu-ray is the real cinematech of world cinema. That's how it's being preserved. All of these guys that are trying to preserve 35mm negatives? They are wasting their time. There are better ways to see and project this stuff. It's called digital.
My dad is so impressed. He loves the movies and would take us two, three times a week, so this fantasy of mine of becoming an actor? I can blame my father for that. He's so amazed. And so happy.
When I was 15 and then 16 years old, I spent two summers in Nicaragua for a service project. I took Spanish classes the first week and got acclimated to Central America. I loved it.
Because I was a kid from north of England, the only films I had access to was not alternative cinema, which in those days would be foreign cinema; I would be looking at all the Hollywood movies that arrived at my High Street.
Every town in America had at least one, two, or maybe three radio stations that played rock 24 hours a day. In England, we had a rock specialist on for two hours a week.
I go to the theater two or three times a week when I'm in London. Whereas I feel guilty going to the cinema in the middle of the afternoon.
I was at Watford and got a knock-back when I was 16 and didn't get a YTS contract. They said I could find another club or go in and train three times a week after school. I'd been there since I was 10, so I got my head down and proved them wrong. Within a year, they had signed me up, and I haven't looked back.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
I was fortunate because my mum shared my love of film with me, so we would go to the movies twice, three times a week, and we would watch movies at home. As a teenager, instead of going out, we would have these huge movie nights in. But I almost failed drama at school. I hated it. It was all about the history of theatre.
I was attached to star in a project that was going to be an unbelievable character piece, to be showcased all over the world. It was everything I had been working toward and had suffered for. I had two months to prep and pretty much bankrupted myself in the process. A week before I was supposed to get on the plane, the whole project fell apart. Not only did it leave me completely broke and out of work, but I felt as if I had been betrayed by acting. Acting is not just something I love but a part of who I am. I was shattered. Thankfully, the love of those around me helped push me forward.
For me, the process always has to be pretty intense. I could never write just two or three days a week. It had to be every day.
Well, you have your regular classes, like three hours every other day, three times a week. You get twice a week to have an ice practice. Once a week you have weight lifting. It was great.
Cinema is changing every week, and multiplex audiences are demanding every week.
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