A Quote by Guillermo del Toro
Any actor I admire and enjoy working with - Sergi Lopez as the bad guy in 'Pan's Labyrinth,' or the little girl who played young Mako in 'Pacific Rim,' it makes no difference - I like actors with a very strong centre.
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Everything I do, I do it with the hope that people will watch it more than twice. Whether it's 'Pan's Labyrinth' or 'Pacific Rim' or the opening of 'The Simpsons,' I do it with that hope.
I remember starting working on the concept and the script for 'Pacific Rim' with a very, very conscious decision to say, 'I don't want any of these big sequences to take place in America,' because I feel like that's become so regular to the disaster genre, and then it sort of devolves into landmark stomping.
While you can be trained and groomed to be a better actor, seasoning happens only to TV actors. TV actors shoot every day, and that makes a difference to the project. They are hard-working, but that's not taking anything away from the film actors.
But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor.
A good actor is like a racehorse or a Ferrari. If a cylinder is missing on a Chevy, it's doesn't matter that much. But if something's not working right on a Ferrari, it makes a big difference. It's the three percent that makes the difference between good and great. It's a fine line. If you're not there, it's very painful.
The endless teen franchises that come out of Hollywood... more often than not, the central character doesn't have any discernible character traits. They're just the young, good-looking guy who goes on this journey. They're always played by fantastic young actors, but ultimately, they're not very interesting characters.
At seven, I played centre-back. When you're so young, though, it's more to enjoy the training and to get a feel for the game. It's not heavy on tactics of a position. We were playing on a half pitch, seven against seven or eight against eight, so they say you're a centre-back, but it's not like the real definition.
I immensely enjoy any experience directing. I've never hated it, and I've had bad experiences. At the end of the day, I just feel like I'm supposed to be on a set. I'm supposed to be working with creative people. I'm supposed to be working with actors and I'm supposed to be manning a project in this capacity. It's interesting.
It was great working with Salman. He doesn't come across as the 'bad boy of Bollywood.' He is a very generous actor. There are actors, who don't let you have your space on screen and try to steal it. But Salman is not like that.
I've always played the guy with the gun and the knife. That's how many actors start out, playing the bad guy.
A bad girl can emotionally make a guy feel like a girl because they break hearts, too. A bad girl is dangerous because she might be honest with you and say, 'Listen you're not the only one. I just want you to be my friend,' and sometimes that might affect a guy in a weird way.
I was always the bad guy in westerns. I played more bad guys than you can shake a stick at until I played the Professor. Then I couldn't get a job being a bad guy.
When I was a little girl I used to read fairy tales. In fairy tales you meet Prince Charming and he's everything you ever wanted. In fairy tales the bad guy is very easy to spot. The bad guy is always wearing a black cape so you always know who he is. Then you grow up and you realize that Prince Charming is not as easy to find as you thought. You realize the bad guy is not wearing a black cape and he's not easy to spot; he's really funny, and he makes you laugh, and he has perfect hair.
I really like playing the bad guy. There are so many more objectives to play when you're mad or villainesque, or when there's some agenda that you have. That's drama, that's where the heart lives. I love playing the bad guy, but especially the bad guy who's still with the girl.
The actor's relationship to the crew is really a big dynamic that influences everything. When actors are assholes, it becomes problematic. When actors are great and sensitive and prepared, it makes a huge difference.
When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.
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