A Quote by Guillermo del Toro
I believe that we will elevate and differentiate the discourse of cinema the more we discuss image creation in specific terms.
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In discourse more sweet; For eloquence the soul, song charms the sense. Others apart sat on a hill retir'd, In thoughts more elevate, and reason'd high Of providence, foreknowledge, will, and fate, Fix'd fate, free-will, foreknowledge absolute; And found no end, in wand'ring mazes lost.
Architecture is a discourse; everything is a discourse. Fashion discourse is actually a micro-discourse, because it's centered around the body. It is the most rapidly developing form of discourse.
The image is a pure creation of the mind. It cannot be born from a comparison but from a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be - the greater its emotional power and poetic reality..
I don't understand, who is God. I don't understand God. But to simplify that, I will say I believe in creation. They say God is the Supreme Being. I don't believe so. I don't believe God created us in his image. I believe we are too small to understand totally the cosmic wonder of the universe.
The moment our discourse rises above the ground-line of familiar facts, and is inflamed with passion or exalted thought, it clothes itself in images. A man conversing in earnest, if he watch his intellectual processes, will find that always a material image, more or less luminous, arises in his mind, contemporaneous with every thought, which furnishes the vestment of the thought.... This imagery is spontaneous. It is the blending of experience with the present action of the mind. It is proper creation.
I will be glad to discuss this proposition with my attorney, and that after I talk with one, we could either discuss it with him or discuss it with my attorney, if the attorney thinks it is a wise thing to do, but at the present time I have nothing more to say to you.
When I was in the US, I felt that the discourse there surrounding Muslims as the other, problematising Muslims and Islam as the other was very similar to what we find in Australia, which is that the image of Islam is a constructed image in the West. We are starting from a point of view that Islam and Muslims - well Islam is a violent, misogynistic, hateful religion and that is where the debate always starts from - that presumption underlies the discourse.
I am on good terms with whoever I have worked with. We never discuss films. We discuss life and what we had for lunch!
As Members of Congress, we have a duty to elevate the discourse and unify during times of crisis.
I try not to think in terms of good and bad but more in terms of helpful or unhelpful in regards to specific moral codes and goals.
Those philosophers who believe in the absolute logic of truth have never had to discuss it on close terms with a woman.
You will write if you will write without thinking of the result in terms of a result, but think of the writing in terms of discovery, which is to say that creation must take place between the pen and the paper, not before in a thought or afterwards in a recasting... It will come if it is there and if you will let it come.
I support people if they are called to be active and protesting, resisting, working for restoration or, for more just political conversation. I also support everyone in listening to each other. We're at a very interesting and disturbing time in terms of our civil discourse. And yet always, in disturbance, things are shook up and that shaking can lead to deeper maturity and a deeper discourse. May it be so.
Roger Ebert was a very valiant soldier of cinema who passed away, and we miss him. It's over with serious discourse about cinema in the print media and on television. It has been replaced by celebrity news. So we are speaking in his spirit always.
MORE CONSISTENTLY THAN EVER I WAS TRYING TO MAKE PEOPLE BELIEVE THAT CINEMA AS AN INSTRUMENT OF ART HAS ITS OWN POSSIBILITIES WHICH ARE EQUAL TO THOSE OF PROSE. I WANTED TO DEMONSTRATE HOW CINEMA IS ABLE TO OBSERVE LIFE, WITHOUT INTERFERING, CRUDELY OR OBVIOUSLY, WITH ITS CONTINUITY. FOR THAT IS WHERE I SEE THE POETIC ESSENCE OF CINEMA.
It didn't even occur to me that I could use my strong image in cinema to propagate my political ideas. To me, cinema was cinema and politics was politics.
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