A Quote by Guillermo del Toro
I think Roald Dahl had the rarest combination of talking to kids about complex emotions, and he was able to show you that the world of kids was sophisticated, complex, and had a lot more darkness than adults ever want to remember.
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As we mature and grow older we collect a lot of baggage, and a lot of that stuff you collect on life's journey gets in the way of acting. My kids can imagine a character and transform in the blink of an eye. It's so simple for kids, so complex for adults.
Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
What popped up more than that was the realization that I made as an adult that the world is this incredibly complex, layered, and mysterious place and if you stop and think about it the human cell is literally more complex than a fleet of 747s.
When I think back, I felt like I had the life that a lot of white American kids grew up with in the suburbs in the States. I started noticing, as Apartheid's grip weakened, that we had more and more black kids at school; I had more and more black friends. But I never really saw a separation between myself and the black kids at school.
I also think the relationship I have with my audience is a lot more complex than what Hitchcock seemed to want his to be - although I think he had more going on under the surface as well.
I was a crazy Pee-wee Herman fan when I was in my early teens. Before he had the kids' TV show, he had a nightclub show in L.A., and I had gotten a VHS copy of it. It was a kids' show, but onstage in a bar, so it's sort of poking fun at the kids' show. And I was obsessed with that, and then 'Pee-wee's Big Adventure.'
The great thing about Roald Dahl is he tackled the big questions of life without any fear of being shocking or brutal, because he knew the kids could take it.
I think my relationship with life has changed - I want to make more complex images than before. Complex in the sense that I try to put in a lot of information, sometimes contradictory information.
He was a simple man who had no inferiority complex about his lack of education, and even more amazing no superiority complex because he had succeeded despite that lack.
I loved reading Roald Dahl when I was young but I had forgotten a lot about the books. I read the 'BFG' on the iPad the other day and it was so interesting to see his descriptions of clothes and places.
I never think of my work as writing for a young audience, frankly, because I think it risks talking 'down' to them. The idea is for these books to work just as well as for adults as kids. As for what readers will take away, I just want them to love being in the world and see it as a safe place to explore things that adults are often uncomfortable talking to them about.
A lot of people assume I have a great hat collection, but kids steal my hats at every show. I've had all these hats that I've loved, but now they're in some little kids' possession. It's difficult to replenish. I don't think the kids realize this.
I'd always been around kids, and when you don't have kids, you have a lot more time to do things. Before I had kids, I was a lot more prolific and wrote books a lot faster.
Kids didn't have huge backpacks when I was their age. We didn't have backpacks at all. Now it seemed all the kids had them. You saw little second-graders bent over like sherpas, dragging themselves through the school doors under the weight of their packs. Some of the kids had their packs on rollers, hauling them like luggage at the airport. I didn't understand any of this. The world was becoming digital; everything was smaller and lighter. But kids at school lugged more weight than ever.
A lot of the time, unfortunately for women, there's not a lot of complex roles. I don't mean complex like tortured or whatever. I mean complex like there's more going on with them than, 'I'm a mom.'
If I had kids, my kids would hate me. They would have ended up on the equivalent of the Oprah show talking about me; because something [in my life] would have had to suffer and it would've probably been them.
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