A Quote by Guillermo del Toro
For Devil's Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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I really felt neurotic - it was a neurotic reason - but I had to teach very, very well. That sucked up a lot of oxygen from my time and my creative thinking.
After my final Breaking Dawn scene, I felt like I could shoot up into the night sky and every pore of my body would shoot light. I felt lighter than I've ever felt in my life.
You see that in his foreign policy [Barack] Obama lacks a backbone - both a constitutional backbone and a personal backbone.
I'm very neurotic about shaving. I shave first thing in the morning before a shoot, and if I have dinner that night, I have to shave again.
I'm afraid of making a mistake. I'm not totally neurotic, but I'm pretty neurotic about it. I'm as close to totally neurotic as you can get without being totally neurotic.
As a craftsman, I bust my butt as much for 'Blade 2' as I do for 'Devil's Backbone.'
Most of the time - in 'Pan's Labyrinth' or 'Devil's Backbone' - I'm talking about my childhood.
I have a schizophrenic career. I have 'Cronos' and 'The Devil's Backbone' on one hand, and then I have 'Blade 2' and 'Mimic' on the other.
My mom grew up in extreme poverty, and always spoke of it with a look of disgust. She felt pressured to fit in, and felt shame about her house, clothes, and general appearance.
I felt pressured by continuous touring.
In the beginning of my YouTube channel, I feel like I was doing what everyone else was doing, and I kind of felt very pressured to fit in with everyone.
Ego is a structure that is erected by a neurotic individual who is a member of a neurotic culture against the facts of the matter. And culture, which we put on like an overcoat, is the collectivized consensus about what sort of neurotic behaviors are acceptable.
Working on TV shows was fun, but I felt crazy pressured and stressed.
I loved 'The Secret of NIMH.' When that came out, it felt like, 'Wow, this is something really, really new.' It looked like a Disney film, but it felt very cutting edge to me. To a twelve-year-old kid, it seemed very inspiring.
I came back to Haiti after the earthquake not to shoot a film, but to help and be a part of the rebuilding process, like all my fellow compatriots. I didn't come to shoot a film, but I became frustrated when I realized that my help was kind of useless. We all felt lost and helpless. And it's out of that frustration that I decided to shoot a film.
The devil ain't got no power over me. The devil come, and me shake hands with the devil. Devil have his part to play. Devil's a good friend, too... because when you don't know him, that's the time he can mosh you down.
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