A Quote by Gurinder Chadha
I'm absolutely delighted because I'm part of the process that has made Asians very much part of the mainstream fabric of Britain, whereas, when I first started, we were completely on the margin.
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I can't help being Christian because I was brought up in Britain, and the morality of Christianity is part of the fabric of this country.
Things like rebellion and resistance to authority are absolutely as much a part of the human experience as love and cars are, and it's a part that doesn't get covered very much in pop music.
Up until I think eighth grade - when I found out in front of a roomful of people - I believed that England and Great Britain were two entirely different places. Like I didn't know that England was a part of Great Britain. I thought they were completely separate in every way.
I grew up and lived in a Britain in which strikes and the threat of strikes had become part of the social fabric - and it was not very nice.
You want to find the right balance, but you have to have the Minions because people responded so much to them. We wanted to find a story that would make the Minions more a part of the story than they were in the first movie. In this one, as you know, they're disappearing. What's happening to the Minions? We made them a much bigger part of the movie in those terms.
I find it very, very hard. He was part of the fabric of my life. We were kids together, and teenagers. We spent the whole of our lives with each other because of our music.
In terms of exploring an identity in the country music world, what I realized very quickly was that there are people who have been performing country music since they were kids. It's very much a part of who they are; very much that jazz and blues are a part of who I am, because I grew up listening to and playing that kind of music.
No, it’s very comforting actually, to know that you’re sitting in a long legacy of actresses who’ve played the role. I’m absolutely all for absorbing all of those influences, so you understand the pedigree of the part as much as you understand the figure in history… because you are playing the part. You don’t say: “Gosh, I want to play Peter Sellers…” because you can sort of do that in your own bathroom.
I come from a very small city in a rather remote part of America, where writers simply weren't part of the daily fabric.
I'm really going off of watching John Waters speak one time and I remember he just kind of talked and it was totally interesting. I wanted to hear about his life and how he got started and when did he think he made it, stupid stuff like that. And what his relationship with the mainstream is because he's so far out there, but then he became part of the mainstream in this weird way. He was really funny, though. Yeah, I have to work on my jokes.
When Nirvana hit it big, it was overwhelming because we were part of the counterculture. Nirvana didn't go to the mainstream - the mainstream came to Nirvana.
Blacks were not enslaved because they were black but because they were available. Slavery has existed in the world for thousands of years. Whites enslaved other whites in Europe for centuries before the first black was brought to the Western hemisphere. Asians enslaved Europeans. Asians enslaved other Asians. Africans enslaved other Africans, and indeed even today in North Africa, blacks continue to enslave blacks.
There are very few people who are Asian who have the kind of global reach that I have, not just with Asians but with non-Asians. I've worked hard for what my name represents, my brand, not just in Britain but around the world.
It was always very important for us that we presented ourselves as a band, because it's a three-part writing process and it's a three-part decision making process, it's not two producer guys and a girl that sings the songs. It's startling how many people make that assumption.
I started off in England and very few people knew I was Australian. I mean, the clues were in the poems, but they didn't read them very carefully, and so for years and years I was considered completely part of the English poetry scene.
Yes, you can feel very alone as a poet and you sometimes think, is it worth it? Is it worth carrying on? But because there were other poets, you became part of a scene. Even though they were very different writers, it made it easier because you were together
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