A Quote by Gurinder Chadha
Our films have the ability to tell global audiences who we are, and this is something the government should feel compelled to protect. My film, 'Bend it Like Beckham,' for example, would not have been made without the backing and support of the U.K. Film Council.
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I do feel bad when my films don't do well, but I respect audiences' verdict because they know well which films to support. If they don't like a film, we should accept it.
Most people don't really understand what it takes to get a film made, and the struggles. I think anyone who makes a film goes through their own set of struggles. People go to extraordinary lengths to get films made. I hope it's of interest to people. One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn't been. But, it sure has been entertaining and rewarding.
'Black film,' that term allows studios to just marginalize a movie and say, 'We've made our black film. We've made our film with people of color in it,' as opposed to, 'I just feel like people of color should be in every genre.'
I have scars from every film I have made. There is nothing to protect actors. They treat you worse than a dog. You work like a slave, and you know, I like it. That is the way it should be. Every film should be like your last.
My first British film was Gurinder Chadha's 'Bend It Like Beckham,' which was a huge international success.
The people I met for the first time in the period when I was making films like 'Tum Bin,' 'Ra.One,' 'Dus,' 'Cash' would often remark that I was very unlike the person who had made those films. This is not the best thing for a film-maker to hear because your film should reflect your personality, thinking, philosophy and character.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
But even a kid, directing was something that I did. I made short films in school. I feel like I've been in the best film school in the world.
Filmmakers need to give the audience that something extra, an incentive to spend money and go to the multiplex - the ticket prices are high. Otherwise they'd just stay home, buy DVDs or download movies. But if there were only big budget movies it would be impossible for the film industry to survive. So I emphasize the importance of mid-range films. But those films need the support of theatre owners. The theatre chains have to have the vision to realize the need to support smaller films for the growth of the domestic film industry.
I don't think all films should necessarily look like they do on digital video. I think it cheats the audience, at some point. If you try to make an epic and you shoot it digitally, that doesn't make much sense. I think there's a certain kind of film that could be a "digital film." But it shouldn't be interchangeable with other films. It should be something more than just a capture medium. It should be a different form altogether, something new.
If you look at the films that I've done generally, you would probably get an idea of what I'm most interested in, and if ever I do something unusual like a science fiction film or an action film or a comedy or something, then that to me feels like a step to the side to do something different.
'Crazy Rich Asians' has been compared to 'Black Panther,' but I feel like that's a false equivalency. The idea that there's only this film for Asians and that film for African Americans - it's so binary. I don't think it's like that at all. There should be and will be many films and many stories. Hopefully this just opens the floodgates.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
There's no independent satisfaction without the success of the film itself. The feel that you have done the best you can to support the film.
There's been a lot of aesthetically rich horror films that have come out in the last several years. 'The Babadook' is this perfectly paced, beautiful film. 'The Witch' is a beautifully made film. 'Get Out' is so intelligently written. I feel like there's so many great things happening right now.
I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.
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