Wong Kar-wai and Ang Lee are two Asian directors I'm really fond of.
I'm a huge Wong Kar-Wai fan.
Both Peter Chan and Wong Kar Wai are directors that I respect very much.
I didn't see myself in Jia Jhangke or Wong Kar-Wai films. Those are Asian filmmakers, and I very much am an American filmmaker.
He was Jimi Hendrix! He didn't sound like anybody else but himself. He was like Charlie Parker in his way of playing, he played well, he was a person that made waves. When you heard Jimi Hendrix you knew it was Jimi Hendrix, he introduced himself in his instrument... You know, many radio stations play records and a lot of the times they don't call out the names who you just listened to, but when they play Jimi Hendrix, you don't have to tell me, [you know] it's Jimi Hendrix.
Some of my favorite all-time movies - Wong Kar-wai is just amazing. In the Mood for Love is probably my favorite film ever. Those lyrical montages are so stunning.
Wong Kar Wai is a very intense character, very personable, and I believe in general he does not like and he would not want his actors to show their true looks and their true personality on screen.
I like so many different directors: Scorsese, Coppola, Cassavetes, Jarmusch, Gus van Sant, Woody Allen and the greats like Fellini, Bergman, Tarkovsky and among current filmmakers von Trier, Ang Lee, Wong Kar-wai.
The director Sofia Coppola's new comic melodrama, 'Lost in Translation,' thoroughly and touchingly connects the dots between three standards of yearning in movies: David Lean's 'Brief Encounter,' Richard Linklater's 'Before Sunrise' and Wong Kar-wai's 'In the Mood for Love.'
I started out playing guitar because Jimi Hendrix was my hero, so my roots were really based on Jimi Hendrix and his style of playing.
When you heard Jimi Hendrix, you knew it was Jimi Hendrix. He introduced himself with his instrument. His attack to a guitar man, was, oh, something else! You think of one of the great American ball players, or one of the great fighters of the world, you know, that's the way he would attack any note on his guitar.
I'm pretty sure I was about the only kid in school who knew who Jimi Hendrix even was. Through my older siblings, I was getting turned on to all the great music that was happening at the time, and I really loved Hendrix.
Richard Lloyd of Television is one of my favorite guitarists. His mentor was Jimi Hendrix when he was just 14. Jimi was always pounding everything he knew into that kid.
Jimi Hendrix was the master of live stuff. He was my inspiration to do the yo-yo, everything he did on stage was awesome.
I knew Jimi (Hendrix) and I think that the best thing you could say about Jimi was: there was a person who shouldn't use drugs.
But then there was Hendrix, man. Jimi was really the last cat to freak me. Jimi was playing all the stuff I had in my head. I couldn't believe it, when I first heard him. Man, no one can ever do what he did with a guitar. No one can ever take his place.