A Quote by Gus Van Sant
I've told people who have just started to make a film that the one thing you might experience is this feeling that everybody is conspiring against you, because you're not necessarily able to tell what's real and what's not.
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I would make a huge distinction between theater improvisation and film improvisation. There isn't much improvisation in film - there's virtually none. The people that theoretically could be good at this in a theater situation don't necessarily do this in a film in a way that will work, because it's much broader on a stage. But in a movie, it has to be real, and the characters have to look entirely real because it's being done as a faux documentary, so there are even fewer actors that can do that on film.
Oh my God, I love UCLA so much. Their film school is great because it's unstructured, so there's a freedom to fail in there and just tell your story, and everybody makes a film. It's so important to have that freedom in film school because that's what you're there for: to learn and make a film.
I want to make sure that people know that I can only be myself - I can't be a spokesperson for people with disabilities, because everybody has a completely different experience. I'm glad that I'm able to inspire parents to see one way to deal with it, but at the same time, I tell a lot of dirty jokes.
Because everybody lies. It's part of living in society. Don't get me wrong-I think it's necessary. The last thing anyone wants is to live in a society where total honesty prevails. Can you imagine the conversations? You're short and fat, one person might say, and the other might answer, I know. But you smell bad. It just wouldn't work. So people lie by omission all the time. People will tell you most of the story...and I've learned that the part they neglect to tell you is often the most important part. People hide the truth because they're afraid." -Jo
Sometimes you just want to go out and tell everybody everything because you're just so full of happiness. It's almost like you're high on it and you just want to tell everybody about your experience, but you're not allowed to say anything.
I realized that we were all sort of conspiring, well, not conspiring against each other, but all this cloak and dagger stuff and I was like; what is this?
If you train people properly, they won't be able to tell a drill from the real thing. If anything, the real thing will be easier.
In the case of 'The Deep,' because of the people involved, the talent and the real lives of people who died, I wanted to make the most honest film I could. And sometimes that's the best way to go: Just make the best version of the film you can.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
We're putting more carbon into the atmosphere than the atmosphere can absorb. And everybody told us when we started, coz we knew nothing when we started - we still don't know very much - but everybody told us 'this is crazy, you don't use a scientific data point, it's a number, people don't respond to numbers'.
I've found out why people laugh. They laugh because it hurts- because it's the only thing that'll make it stop hurting... I had been told that a 'funny' thing is a thing of goodness. It isn't... The goodness is in the laughing. I grok it is a bravery- and a sharing- against pain and sorrow and defeat.
I was thinking I would love to make something that is a successful film that everybody sees, but I wasn't thinking about the actual dollar amount. I just wanted to make a great film that people responded to. That's always a good ambition because you'll never totally hit it.
Theater is just so much more satisfying than film or television just because you deliver the whole thing from start to finish in one evening, and you can tell if people have enjoyed it or not. That's great to do every night to go in front of a full room of people and tell the story. There's nothing like that really.
The research period of a film is the most exciting part of the process, and filming is sometimes a letdown because when you're dealing with biopic material, the real thing is always much more intricate than the story told in the film.
The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, which I hope this one does, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.
When I write a story, I just wanna tell you what's in my head. It can come from real life and then turn into fantasy, stuff just rhyming. And write about what you know. I just like to tell stories that have not been told or [told] from my perspective.
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