A Quote by Guy Ritchie
If you find a TV series that you like, you like the tone of the TV series or the movie.
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I've done a movie and a TV series, and someday I'd like to do a successful movie and a successful TV series. That would be nice.
One of the great things about a TV series is that it's different to a movie - in a movie you obviously know the beginning, the middle and the end of what you're going to do. With a TV series it's unfolding, and you're discovering with every episode.
I've kind of gone from TV series to TV series or project to project, and I've wanted to get back in a rehearsal room. I feel like there's that exploration process, in a way, that you get in phases on jobs but I do wish I had that time [at school].
Well, TV series tie you up. You can't do films while you're doing a TV series.
I don't usually watch a lot of TV, but Mad Men changed my perspective. I admire Matthew Weiner who came up with the idea and wrote such a great TV series, and the broadcasting company for being bold enough to air such a series.
I don't usually watch a lot of TV, but 'Mad Men' changed my perspective. I admire Matthew Weiner who came up with the idea and wrote such a great TV series, and the broadcasting company for being bold enough to air such a series.
I love Greek Mythology, wish there was a TV series, like being human or smallville, but with the series based around Percy Jackson and the Olympians, Holla Mayne!
I worked on Crash, the TV series, some Disney shows like Get Connected, Brain Surge & iCarly on Nickelodeon, but Make It Pop is my very first lead role in a series.
When answering questions over the years about film and TV adaptations of my books, I have always maintained that no movie or TV series could ever change or damage my work.
As someone who grew up in Europe, I don't look at TV and automatically think of a primetime network series, created by a staff of writers. I think of 90-minute movies that can break talents out or a three 90-minutes-an-episode mini series that can introduce a fantastic new series like 'The Blechtley Circle.'
You have to do every movie one at a time. Trilogy is contrary to this ideology. My nightmare is to wake up and find myself the host of a TV series.
I wanted to do Buddy Faro as a small budget movie. They said no. So I wanted to do it as a series of recurring TV movies, and they said no. So I agreed to do it as a series.
I want to balance my projects. Ideally, I'd like to do at least one indie film, a mainstream movie, and a TV series in a year - the best of both worlds.
I think the biggest issue for legacy media - both TV and film - is that it just costs too much money to develop a TV series or movie. And most of them don't work. Then the one that works has to pay for the rest.
Ideally I'd like to be working steadily as an actor: movies, a TV series, that sort of thing. I've been through a few different TV development cycles, and they didn't work out. When the time and project are right, it'll come together. Like I tell a lot of guys, it's not a race; there's no finish line.
I remember taking my mom and dad to the premiere of 'The Inbetweeners Movie' and being really nervous. My mom was like, 'Laura, don't worry: I've watched all of the first series of the TV show, so I understand what this is going to be like.'
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