A Quote by Guy Ritchie

I think it's that much harder to make a good comedy than it is straight and apparently serious. — © Guy Ritchie
I think it's that much harder to make a good comedy than it is straight and apparently serious.
I have done much more dramatic work than comedic work, but I think comedy is harder than drama in a way. I think it's one of those things that's constantly discussed - people who do comedy think it's harder, people who do drama think it's harder. Usually drama is the one that gets this highbrow respect.
The connection between pathos and broad comedy is very tight. But you do far more work in a comedy scene than you do in a straight scene. It's much harder.
There are two types of actors. There's the actors who can acknowledge that they could never do standup comedy. Then there's the pretentious ones, who believe that acting is harder than standup comedy. I definitely don't think it is. I also think making a comedy is substantially harder than making a drama.
I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.
I think more than comedy, probably more than straight drama, I like horror. And horror I think I'm particularly good at. It's a mistake a lot of directors make, especially young directors. They always want to make the kind of movies that they most admire and aren't necessarily sensitive to what they have the best skill set for.
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
I think it's harder - much harder - to be a good parent than to write a book.
I don't play comedy as comedy. That would be the biggest trap. I think about the characters and their situations. Then you don't have to worry where the laugh is going to be. But comedy is harder than drama.
Comedy is hard to do, and I don't know why it doesn't have its own category in awards. I don't understand why people think it's harder to do drama than it is to do comedy. It doesn't get respect. It's hard. It's really hard. It would be more gratifying to get something for a comedy, because it doesn't happen much or at all.
Comedy is much more difficult than tragedy-and a much better training, I think. It's much easier to make people cry than to make them laugh.
Certainly situation comedy is harder than people who are good at it make it look, but it's fun to do something different.
It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.
Comedy is harder than drama, because with comedy you're expecting a result..you make them laugh. [If] they ain't laughing then you're screwed.
I know so many people who are so much better at it than I am, and I think I'm a goofier person rather than a serious, dramatic actress, so I probably belong in comedy.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.
Honestly, one-hour drama is the hardest format there is. I think it's harder than movies, and it's harder than half-hour comedy.
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