A Quote by Guy Ritchie
As I get more and more involved in the child's world with Rocco his son I'm getting interested in making a film for children.
Related Quotes
I've always been interested in film, so to get involved in any way in the genesis of making a film or music for a film is fascinating to me.
It is with great regret that my marriage to Grant is ending after more than six years. He is a special man and we have two amazing children together Ruby, 5, and son Rocco, 3. This was a mutual decision that was not taken lightly and we are committed to our children and will work together to ensure their happy and healthy upbringing.
For me, it was always clear that Toni Erdmann is more a film about what globalization, capitalism, does with private relationships much more than making a "political" film. It's more interesting to raise questions, because I don't feel in a position to "make a statement" with the film. Toni Erdmann comes from a completely different generation then his daughter, it's the post-war generation, they were very politically engaged. They raised their children with a lot of human worldviews, sent them out in the world believing in a world without borders.
It is important to communicate to children about what we are going through. We often speak in half truths. We don't frame the truth or explain our experience in terms they can understand. We need to take time to do this. What has to happen is that more people have to get involved with more children. Focus energy on the child. Children are raising themselves these days in all sorts of strange ways.
The state is now more involved than it ever has been in the raising of children. And children are now more neglected, more abused and more mistreated than they have been in our time. This is not a coincidence. This is not a coincidence. And with all due respect, I am here to tell you it does not take a village to raise a child. It takes a family to raise a child.
He wants to live on through something-and in his case, his masterpiece is his son. all of us want that, and it gets more poignant as we get more anonymous in this world.
He wants to live on through something - and in his case, his masterpiece is his son. All of us want that, and it gets more poignant as we get more anonymous in this world.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
I'd like to get more involved in that world. I'm better when I'm teamed up with an experienced writer - when I potentially have someone guiding me. But I'm getting involved and I'm learning a lot.
The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
Making a success in show business is like getting a big promotion on a job. You get more prestige, more authority, more money - and you also get longer hours, more work, and more responsibility. It evens out.
As I get older and more tuned in to a community or an area, I see myself getting more involved. Not that I see myself running for office, but more involved in local issues.
What we want... is for students to get more interested in things, more involved in them, more engaged in wanting to know; to have projects that they can get excited about and work on over long periods of time, to be stimulated to find things out on their own.
I really love my family. The more independence that I get and the more freedom that I have, the more interested I am in being a dedicated and involved family member.
I'm not a person who's interested in getting involved with politics just to get involved with them, and I don't need to.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
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