A Quote by Guy Ritchie

Yeah, I'm certainly a lot more confident on this one than I was one the last one, which I think can be a good thing and a bad thing. But, at least I slept while making this film.
First of all, I would like to clear the air on one thing. Alison has slept with more men than Amanda; Sydney has slept with more men than Amanda; I think Matt has slept with more men than Amanda.
My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
So yeah, a good director will be able to listen and hear everything, but have a confident vision of his own that he can say, 'oh yeah - that's a great point.' And you never know; often you can help far more than you think you can, because there's so much more that he's juggling than an actor.
I certainly direct with confidence even if I'm not confident. I learned early on as an actor that confidence can be faked, and it's not always a terrible thing to do. A lot of times if people feel you're confident, then they're confident.
It's probably the last thing you think about when you're making a film is other people's problems. You're thinking about your problem, which is making the movie. But you do have a responsibility. You can't mess around with people's emotions.
The directing thing, to do it well, I think you have to have a hell of a lot more discipline than I do, or be a lot more willing to really take charge of whole large group of people than I feel comfortable doing - because a director really has to run everything, and be very confident in their ability to do so.
For my part, I am very much more afraid of the man who does a bad thing and does not know it is bad than of the man who does a bad thing and knows it is bad; because I think that in public affairs stupidity is more dangerous than knavery, because harder to fight and dislodge.
I think that as television is evolving, the line between TV and film is becoming more and more blurred. This is both a good and bad thing.
And it's best if you know a good thing is going to happen, like an eclipse or getting a microscope for Christmas. And it's bad if you know a bad thing is going to happen, like having a filling or going to France. But I think it is worst if you don't know whether it is a good thing or a bad thing which is going to happen.
I'm happy to say that I have not been fired off a film. The score is usually the last thing to be done. So a lot lands on the scores shoulders. A lot of problems that seem to have nothing to do with the music gets blamed on the music , because it's relatively cheap to change, where as a reshoot etc is not. Music is often expected to help or fix bad cuts, bad acting, bad filming, bad timing, you name it.
It seemed the world was divided into good and bad people. The good ones slept better while the bad ones seemed to enjoy the waking hours much more.
The thing I tried to remember when I was younger was 'Do something that's at least as good, if not better, than the last thing you did.' So I started with Brian De Palma and Sean Penn. I had a pretty high bar to start with.
I would say, while I think audiences are savvy enough, I think that the effects work in the teaser is quite a bit more than presentable. I think they look good and representative of the film. The harder thing with the teaser, interestingly enough is, how much to show.
There are so many startups out there raising money. I don't think this is a bad thing. It's a good thing. Entrepreneurship is in vogue. Innovators are innovating. Makers are making.
If something comes that it is so extreme that you have difficulty thinking of it as a good thing, don't think of it as a good thing and kid yourself. To the extent that you can, don't label it a bad thing. Refusing to label something a bad thing opens you up to possibilities you would not have even considered otherwise.
There are other concerns in this state [of Mecklenburg-Western Pomerania], which is one of the prettiest. It's also one of the poorest, where people here are making less than the national average. Unemployment is higher than the national average, and a lot of the young people, especially, have left because there just aren't jobs and that sort of thing. So you have that going on, the feeling that that hasn't really changed in years or at least with their help - with the last state government.
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