A Quote by Guy Ritchie

What I liked about American movies when I was a kid was that they're sort of larger than life and I think I'm still suffering from that reaction. — © Guy Ritchie
What I liked about American movies when I was a kid was that they're sort of larger than life and I think I'm still suffering from that reaction.
There is a very definite Russian heart in me; that never dies. I think you're born and you live your life with it and you die with it. I'm very much an American - my books tend to be about American things, but inside there's that sort of tortured, long-suffering, aching, constantly analysing Russian soul underneath the happy American exterior.
I figure you're only here for a matter of moments. Ever since I was a kid watching movies I've always wanted to make people laugh or have some sort of emotional reaction.
I think American films right now are suffering from an excess of scale. Lots of movies we're seeing now are more akin to video games than stories about human life and relationships. Twelve- to 20-year-olds are maybe the largest economic force in the US movie business. I'm not a very nostalgic person - but I enjoy a good story.
I definitely think my work comes from things that I liked as a kid, and things I still like now. Monsters and magic and museums and movies, a lot of things that start with 'M' for some reason.
Whereas 'Avatar' and other movies get shocks out of their three-dimensionality, 'Gatsby' is going to be about inviting the audience into this larger-than-life drama, letting them almost be inside the room rather than looking at it through the window. I think it will really work.
I guess maybe I try to make movies that are closer to real life than are many Hollywood movies. But I still try to stay within a commercial narrative, a contemporary American vernacular.
I think I'm actually a mainstream, popcorn-eating kid. I've always been that, so I'd sit there watching action movies and American moves before I watch other movies quite often because I am that kid. But I've pushed into the more alternative area because that's where it gets really interesting creatively.
There are a lot of discussions where people will decide that James Bond is a superhero, because he's a larger-than-life hero who beats the bad guys by doing larger-than-life things. And I don't think that's a useful definition.
I just remember saying to myself that I'd much rather do movies than modeling, and that it was worth a try. I didn't really know anything about it. I hadn't seen many movies, or so-called, good movies. When I was a kid, I was obsessed with Star Wars and Night of the Living Dead. When I got more curious about the movies, I thought they were something you had to learn about and go to school for and read every book.
I actually do bits of my writing in sort of incidental spaces - when I'm traveling on the Tube or on a bus. More often than not, it's a reaction to how you feel about something, and if you're sitting down and concentrating on, 'I must write something,' then you can't have a truthful reaction.
To me, country music's about life. It's about Monday through Friday. It's the blue-collar, 40-hour week, songs about life. It used to have more of a sound, but I think the heart of that's still the same. It's still American music.
There have been movies like 'Paranormal Activity' or 'Blair Witch Project' in Hollywood that showed you could do movies with little or no money. It doesn't prevent them from creating larger than life spectacles as well.
You know, larger-than-life politicians have larger-than-life strengths and larger-than-life weaknesses.
I didn't watch a lot of American television growing up. I just liked to read a lot and watch movies - movies, movies, and more movies. My family used to make fun of me because I'd like every movie I saw.
I think every American kid grows up dreaming about being in the movies. That's completely normal for us. But I mostly wanted to be a writer, and I got taught the scriptwriting program.
When I pick a story, I'm very much aware of the larger issues that it's illuminating. But one of the things that I, as a writer, feel strongly about is that nobody is representative. That's just narrative nonsense. People may be part of a larger story or structure or institution, but they're still people. Making them representative loses sight of that. Which is why a lot of writing about low-income people makes them into saints, perfect in their suffering.
This site uses cookies to ensure you get the best experience. More info...
Got it!