A Quote by Hal Needham
There's a standard pay scale for stunts. The more difficult the stunt, the more money involved. But if I'm the only stuntman who can do a particular gag, there's usually a little more in it for me.
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I always wanted to be a stuntman. If acting went well and I was able to take a year out, I might train and get on the stunt register, which gives you qualifications so you can do more of your own stunts.
As things have progressed and I've gotten older, I've gotten more and more involved on the producing side. It's been a natural progression. The more you become exposed in a particular medium, the more you can bring to the table and people start trusting you. You're valued a little bit more, so you have more of a voice. It's something I would like to do, through the rest of my career.
You pay more in wages, get more in in tax, you get people living a higher standard, you get more money. It's a kind of circle.
Even a low-budget film costs way more money than a high-priced record. So, it's mo' money, mo' problems. When you have more money, it just creates more people trying to get involved and you have more trouble.
The more money that's involved in something, it's usually because there are more hands involved. There are more interests to serve.
People have been very resistant to giving me more than the standard amount of money. So I keep making films on a similar scale. Which is fine, but also frustrating.
Putting a man in space is a stunt: the man can do no more than an instrument, in fact can do less. There are far more serious things to do than indulge in stunts. . . . I do not discard completely the value of demonstrating to the world our skills. Nor do I undervalue the effect on morale of the spectacular. But the present hullabaloo on the propaganda aspects of the program leaves me entirely cool.
I pay people very, very well - probably more than I have to. But that costs me less money in the long run because I'm not having to constantly train somebody. I pay them enough that they don't go seeking a higher scale at the next restaurant.
A little more kindness, A little less speed, A little more giving, A little less greed, A little more smile, A little less frown, A little less kicking, A man while he's down, A little more "We", A little less "I", A little more laugh, A little less cry, A little more flowers, On the pathway of life, And fewer on graves, At the end of the strife.
The goal of a private company is, first, zero to one. Get past the product market fit, figure out whether people actually care about what you're trying to build and someone will pay you money for that. That's the zero to one problem. So scaling, one through N, is figuring out can you do that at scale and how big is the scale. And when people pay you more than what it costs for you to make it, does that equation end up leaving you with money left over, i.e. profits.
Let us never forget this fundamental truth: the State has no source of money other than money which people earn themselves. If the State wishes to spend more it can do so only by borrowing your savings or by taxing you more. It is no good thinking that someone else will pay - that 'someone else' is you. There is no such thing as public money; there is only taxpayers' money.
That one was stunt heavy. 'Monster Trucks' was a lot of stunts. I got to do some insane stunts they should've never let me do.
Wouldn't it be great if we could be a little less judgmental and a little more forgiving of each other's humanness? We're only here a short time. Let's pay more attention to the good and not the bad in one another.
It's not that hard to eat well if you're willing to put a little more time into it, a little more thoughtfulness into it and, yes, a little bit more money.
An indirect quotation we can usually expect to rate only as better or worse, more or less faithful, and we cannot even hope for astrict standard of more and less; what is involved is evaluation, relative to special purposes, of an essentially dramatic act.
I'm wearing three hats; I'm acting, producing, and directing. I was very involved in developing the script, too. But to me, that is very liberating. To me, the lower the budget, the more I want to be involved. I want to be more in control of my own destiny when there isn't much money involved, because you don't have the experts who can control your destiny.
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