A Quote by Hal Needham
Stunts have to be meticulously arranged. Choreographed. You could take a fight scene and set it to music.
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I've done a lot of fight scenes, and I always find that it's better that they be meticulously choreographed. You want them to look as real as possible, but you don't want anyone to get hurt. So I believe in really working it out in rehearsal, and when you get to the set, just go for it 100 percent.
Well, for me, the real excitement of doing physical things in films, whether you're talking about a fight scene or a stunt sequence or even a love scene, for that matter, is by necessity it has to be choreographed very much like a dance. That being said, you have to rehearse it over and over again and find a mathematical precision.
I wish BTS could set up a model for k-pop with the best music and content so we have a positive impact on the U.S. music scene.
I went for a more classical approach to filmmaking with lots of dolly, track and cranes, and slightly slower, more choreographed fight moves, so you get more fight moves in one take.
I love to ride horses. I've ridden since I was a kid so I got to do some riding, which was a lot of fun. But most of the stunts were left to the girls. It's the girls rescuing the guys mostly. So it was kind of really kick-ass, girl power. It was wonderful to watch. It was particularly sexy. They would come in and just slay in these choreographed pentagram of death fight scenes. It was pretty impressive.
You'll still work with some directors where that doesn't happen, and sometimes it's out of necessity because you're in a really complicated, choreographed fight scene and the whole thing is being prevised in a computer, so it's been decided months before, but I think that's sneaking into the way action scenes are shot.
The script of 'Shogun' was so tight that you could not take a word out of a sentence, you could not take a sentence out of a scene, and you certainly couldn't take out a scene without putting ripples right through the back or the front of the overall story.
I'm a believer in arranged marriages. I mean, mine was kind of an arranged marriage. My sister introduced me to my husband. You know, kind of set it up.
Real love is always fated. It has been arranged before time. It is the most meticulously prepared of coincidences. And fate, of course, is simply a secular term for the will of God, and coincidence for His grace.
I had written in another draft a completely different kind of fight, but they said they couldn't afford to shoot it. They needed a fight scene, though, so I was told to put a fight scene in, but not the one I had written.
I don't storyboard like some. I mean, all directors are different. I plan meticulously - really meticulously.
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
A dancer, more than any other human being, dies two deaths: the first, the physical when the powerfully trained body will no longer respond as you would wish. After all, I choreographed for myself. I never choreographed what I could not do. I changed steps in Medea and other ballets to accommodate the change. But I knew. And it haunted me. I only wanted to dance.
I love when scenes are intentionally and meticulously planned so we feel like this is a handcrafted scene that only works in this moment and this movie, and that's the way I approach my films.
When I came in, Westerns were the big thing, so I did horse falls, transfers, bulldogs, big fights. That's where you could really shine if you were really good at it. But then all the Westerns stopped, and I was capable of doing car stunts, motorcycle stunts and high falls. I could do it all.
When Robert Benton was doing the movie 'In the Still of the Night,' I'd choreographed the auction scene and supplied the paintings and had a bit part - I was bidding against Meryl Streep.
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