A Quote by Halima Aden
For me, being able to say that my first-ever photo shoot was with one of the most well-known and iconic fashion photographers in the world is unbelievable.
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I think that life has brought a lot to fashion, and fashion brings plenty to life. I took my children on photo shoots, at the same time, I borrowed my father's sweater for a photo shoot and, then, I am inspired by a Russian princess because of my Russian roots. Everything is all mixed in together.
During my first photo shoot, I was unhappy because they put so much makeup on me and straightened my hair. I've been stubborn ever since.
I think not being a professional photographer was actually a blessing, because it allowed me to shoot things professional photographers wouldn't shoot, or wouldn't try or attempt to shoot without lights. So I did all my stuff natural and without lights.
When you have confidence, when you feel loved by people, you can tell them the truth. It's important that I can say the photo isn't beautiful or the photo shoot sucks.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
The very first big photo shoot I ever did was with Bruce Weber. I couldn't believe this guy was taking my picture, so when he told me to get in the bathtub, I just did. It's only now, looking back, that I realise, you don't have to do everything people tell you.
What's wonderful about acting is that you get to play different roles. For instance, in 'Amelie,' I played a young mother. Some of the photoshoots, you're playing a role. I like to be able to look at a photo and say, 'Wow - that isn't even me.' I enjoy being able to project.
The 'America at Home' project was aimed at being the most extensive record of American home life ever attempted, and we were amazed at how many people were willing to participate as photographers or to welcome the photographers into their homes.
I worked at a bunch of salons, and at one, a girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy.
Going into 'Details' magazine to pitch concepts for a potential photo shoot was one of the most nerve-wracking things I had ever done. I didn't really know what one did in a pitch, how they were structured, etc., and that freaked me out big time.
I think there can no longer be such a thing as hitting a wall on a photo shoot. If I ever hear a photographer say to me, 'OK, what else?' I should retire, because that should never happen now having experienced just how much the body is capable of doing.
Many students don't really like it (fashion). If they don't like it, they won't be able to tell you who the stylists are or the photographers. If they say they can't remember the names but they recognize the work, I'll say that's bullshit because if you were selling mobile phones, you'd know all about the phones' features and tariffs.
They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure.
Modern physics is describing what the ancient wisdom keepers of the Americas have long known. These shamans, known as 'the Earthkeepers,' say that we’re dreaming the world into being through the very act of witnessing it. Scientists believe that we’re only able to do this in the very small subatomic world. Shamans understand that we also dream the larger world that we experience with our senses.
I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.
Those who want to be serious photographers, you're really going to have to edit your work. You're going to have to understand what you're doing. You're going to have to not just shoot, shoot, shoot. To stop and look at your work is the most important thing you can do.
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