A Quote by Halima Aden
I know that for me, a lot of people will look at me and they'll think 'Somali' or 'outsider' instead of 'Minnesota.'
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I think in Somali, I cuss in Somali, when I'm afraid I reach for somali and this language is very rich, very filling. It's an unflinching language; the crudest most terrible things sound perfectly normal in Somali.
Occasionally people will look at me and do a double take and theyll look at me like theyre trying to think where they know me from.
Occasionally people will look at me and do a double take and they'll look at me like they're trying to think where they know me from.
I feel like an outsider sometimes. Sometimes being more public makes me feel uncomfortable. I'll have people asking me for autographs in Thailand and I'll ask if they've seen my films and they'll say, "No, but I know who you are and I like the way you look - I like the skinhead look."
I've never thought of myself as an outsider but the more I'm around people, it appears to be that I'm an outsider. When they look at you and go, "What planet did you drop in from?" I don't know, but it's always been like that.
A lot of people know that how I came to become an actor, but not many people know that how hard it was for me in those initial years. Being an outsider, I had no insight about the ways of the craft.
It’s irrelevant to me what young Singaporeans think of me. What they think of me after I’m dead and gone in one generation will be determined by researchers who do PhDs on me, right? So there will be a lot of revisionism. As people revised Stalin, Brezhnev and one day now Yeltsin, and later on Putin. I’ve lived long enough to know that you may be idealised in life and reviled after you’re dead.
A lot of times people will send me stuff. They will find something and they will send it to me and then I will take a look at it. Every once in awhile I will go on IMDB for 10 or 15 minutes and look around. But I am not a huge gearhead. I don't even have my own computer. I use my girlfriends.
Michel. In my dreams, you come and get me. You take me by the hand and you lead me away. This life is too much for me to bear. I look at the key and I long for you and for the past. For the innocent, easy days before the war. I know now my scars will never heal. I hope my son will forgive me. He will never know. No one will ever know.
I think being an outsider in general always helps you in comedy. I think it helps to have an outsider's eye. And so I have an outsider's voice. You know, as soon as I start talking, I don't belong here. And I think that helps in a way.
When I was younger, I didn't have that type of person that I could look up to and be like, 'OK, this is someone who dresses like me and I relate to.' I didn't have that growing up, so to give that opportunity to a younger generation of women - and not just Somali women, but anyone who feels different - that means a lot to me.
I would like people to know me for who I am, especially since I think people have a very skewed image of me. I was playing a lot of cute characters, a lot of little girls; I was objectified. And I don't want people to think of me as that because it's not who I am, and because I've seen a lot of hostility towards that image.
You know, I'm a good guy. I think people look at me in a different way until they talk to me or get to know me.
My fellow actors inspire me a lot and really good writing inspires me. And then trying to stick to the decision to only do something that I think will challenge me and that I, personally and very subjectively, I think is good not do something because I think it will bring me a lot of money or bring me a lot of awards. I've tried to very, very rigorously be highly subjective about what I do. And that's something that I think I have basically lived by.
I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures. There's really so much more to me than that.
I think the '80s created me, in a way, when I look back on that time, but I don't necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me - or I let happen to me - were about that decade.
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