A Quote by Hans Rookmaaker
Modern art did not just happen. It came as a result of a deep reversal of spiritual values in the Age of Reason, a movement that in the course of a little more than two centuries changed the world.
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But perhaps more important, as someone wishing to make a comment or two about contemporary life and values, I don't have to dig through libraries or travel to exotic lands to arrive at a view of our modern situation refracted through the lens of the preindustrial world, or the uncommercialized, unfranchised, perhaps unsanitized-and therefore supposedly more "authentic"-perspective ofthe Third World. Very simply, this is because that "other" world, as alien as if separated by centuries in time, is the one from which I came
The WWE also embraced more of a reality-based approach to wrestling a year or two after I established it. I knew, deep down inside, were it came from. The WWE did it better than I did, and they're still here, and I'm not, but nonetheless - I knew where it came from.
Yes, over the centuries economic progress has reduced some gross disparities - modern Americans are relatively unlikely to simply starve to death (though it can happen), so in that sense the gap between rich and poor has narrowed. But the question isn't whether society is, in some sense, more equal than it was in 1900. It's whether it is radically more unequal than it was in 1970. And of course it is.
In his scientific genius, man has wrought material miracles and has transformed his world. He has harnassed nature and has developed great civilizations. But he has never learned very well how to live with himself. The values he has created have been predominantly materialistic; his spiritual values have lagged far behind. He has demonstrated little spiritual genius and has made little progress toward the realization of human brotherhood. In the contemporary atomic age, this could prove man's fatal weakness.
One becomes a grandfather and one sees the world a little differently. Certainly the world becomes a more vulnerable place when one has a grandchild, or now I have two. And I think that possibly there's some tenderness that came out of just time and age and being a parent and grandparent.
If you have more than one reason to do something (choose a doctor or veterinarian, hire a gardener or an employee, marry a person, go on a trip), just don’t do it. It does not mean that one reason is better than two, just that by invoking more than one reason you are trying to convince yourself to do something. Obvious decisions (robust to error) require no more than a single reason.
In a world in which we are exposed to more information, more options, more philosophies, more perspectives than ever before, in which we must choose the values by which we will live (rather than unquestioningly follow some tradition for no better reason than that our own parents did), we need to be willing to stand on our own judgment and trust our own intelligence-to look at the world through our own eyes-to chart our course and think through how to achieve the future we want, to commit ourselves to continuous questioning and learning-to be, in a word, self-responsible.
Here is Christianity. Whence came it? It is a force in the world, a prodigious force. It has revolutionized society. It has lifted man out of himself. It has changed the face of the world. There it lies, imbedded in more than eighteen centuries of human history; and history of no mean sort, the best record of the race.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
Contemplation in the age of Auschwitz and Dachau, Solovky and Karaganda is something darker and more fearsome than contemplation in the age of the Church Fathers. For that very reason, the urge to seek a path of spiritual light can be a subtle temptation to sin. It certainly is sin if it means a frank rejection of the burden of our age, an escape into unreality and spiritual illusion, so as not to share the misery of other men.
More than ever before, in our country, this is the age of the individual. Endowed with the accumulated knowledge of centuries, armed with all the instruments of modern science, he is still assured personal freedom and wide avenues of expression so that he may win for himself, his family and his country greater material comfort, ease and happiness; greater spiritual satisfaction and contentment.
In this era of world wars, in this atomic age, values have changed. We have learned that we are guests of existence, travelers between two stations. We must discover security within ourselves.
Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.
In an age of speed, I began to think nothing could be more exhilarating than going slow. In an age of distraction, nothing can feel more luxurious than paying attention. And in an age of constant movement, nothing is more urgent than sitting still.
What is fantastic for me is that the Romantic movement comes out as a counter balance to everything that has been accumulating since the Age of Reason. I think the downfall of imagination as a genre or as a perception starts with the Age of Reason, which says everything else that came before us, all those superstitions, all those myths, are childish.
The deflation, or flattening out, of values in Modern art does not necessarily indicate an ethical nihilism. Quite the contrary; in opening our eyes to the rejected elements of existence, art may lead us to a more complete and less artificial celebration of the world.
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