A Quote by Haris Pasovic

Many have asked me, 'Why have a film festival in the middle of a war?' But they have it backwards. The question is, 'Why have a war in the middle of a film festival?' — © Haris Pasovic
Many have asked me, 'Why have a film festival in the middle of a war?' But they have it backwards. The question is, 'Why have a war in the middle of a film festival?'
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
Arguably, the Venice Film Festival is the second best film festival in the world, after Cannes.
I like the Edinburgh Film Festival, and I've liked what I've experienced of Glasgow's Film Festival too.
The Cannes Film Festival is the biggest, most prestigious film festival in the world. This is where filmmakers are discovered, where futures are made, and the most important films premiered.
We have a documentary film festival in Mexico. It's really original. It's called Ambulante, and it's a film festival that travels around several cities in Mexico.
I've worked at this film festival in Telluride called the Telluride Film Festival. Been there since 2002. I used to make popcorn. I was an usher. Cleaned toilets, everything. Grew up there as a kid.
Tribeca Film Festival Doha will be both an industry festival and an audience festival, not just an event for insiders. Community outreach will be a major part of what we're doing. We'll put filmmakers in touch with local, regional, and international audiences.
To be honest, I was just honored to be in the same festival [ Raindance Film Festival's ] as Johnny To and Dominik Moll.
Gus van Sant I met at the Berlin film festival, and he came up to me. He had a little film in the festival called 'Mala Noche' that he had made for $20,000. He said: 'You are one of my favourite actors. I'm doing 'My Own Private Idaho' with River Phoenix and Keanu Reeves. You should be in it!' Then I started working with Gus.
I was being taken around by a press agent at the Venice Film Festival at age 18. Was it fun? Sure. But it was a dangerous path to be walking on as far as having a substantive life. Because the casualty rate at the Venice Film Festival for 18-year-olds? High.
Primarily, a festival is a platform to sell films that are not meant for the mainstream audience. Cultural exchange is also important aspect of a film festival.
When I met Bono at the Cannes Film festival while I was there for the film 'United 93,' he said to me, 'That's a great film, brother. Thank you for your courage in making it.' I plotzed.
The Woodstock Film festival is among the finest of a dying breed: a festival that isn’t trying to sell you anything, but simply and beautifully celebrating the art & craft of filmmaking.
In fact if you look at Reagan's global war on terrorism it very quickly turned into a massive terrorist war: [by us] Central America, South Africa, the Middle East, all U.S.-backed terrorism. That's one of the reasons why it disappeared from history and why the standard line is that Bush 43 declared the war on terror. Actually he just repeated what Reagan had said 20 years earlier.
Can I just tell you the truth? I get asked to do a lot of stuff. And all of the years that people have asked me to do things for the film festival, I couldn't. And so this year, I thought, "Oh, my god, I don't have a day job. If somebody ask me to do something, I'm going to do it."
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