A Quote by Harmony Korine
When I'm directing films, I mostly try to create an environment on set that mimics what's in my mind as to the tone and feel of things. I try to create a place where you feel that anything's possible.
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I just see potential in things that aren't there and how it's going to make you feel. Like, if it makes me feel a certain way, I try and create the vibe of how that felt to me. And try and create it for someone else.
What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything. You never ever want someone to go, 'Oh I shouldn't have done that.' There isn't anything you shouldn't try. If it's terrible, who cares?
As an actor, you want a director who makes you feel comfortable in a place that you can really create and try a lot of different things.
I love actors and I love to create an environment where they feel safe to connect and thrive and try things, to fail and succeed and flourish and fly.
All I can do is try to create the best show possible, and I feel we've truly done that.
I try to keep a positive intention, and use whatever resources I have to benefit others. I try to create businesses that I think are not hurtful. I try to do things that I think are helpful to the environment, to the animals, and to the planet.
I try to keep a positive intention and use whatever resources I have to benefit others. I try to create businesses that I think are not hurtful. I try to do things that I think are helpful to the environment, to the animals, and to the planet.
I try to create an environment where, when we step onto the set, we're all in character.
I need time, but as soon as possible, we are going to try to create team spirit. That is the most important thing. After that, you can create tactics, but we have to create something special with ourselves.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
It's like, what if you get a set of tires that aren't balanced right or a driveshaft that's vibrating. That could create a problem. You try to think of every possible scenario of what can make you uncomfortable and try to come up with a solution for it.
I try to create a very casual working place, where everybody - down to production assistants - can throw out ideas and not feel intimidated. When it becomes a collaborative environment, it becomes a small family, and everybody becomes invested.
A lot of young actors have the idea that, "I've got to do this right. There's a right way to do this." But there's no right or wrong. There's only good and bad. And "bad" usually happens when you're trying too hard to do it right. There's a very broad spectrum of things that can inhibit you. The most important thing for actors - and not just actors, but everybody - is to feel loose enough to create what you want to create, and be free to try anything. To have choices.
I try to create work that doesn't make viewers feel they're being spoken down to, so they feel open participation.
I'm not able to tell you what the best song is yet, because there's more to come. I feel that in me. I can still feel the burning energy and the desire to create and create and create.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
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