A Quote by Harmony Korine

It's hard to say things without coming off in a certain way, but at a young age, I felt very driven. All I ever wanted to be is a soldier of cinema. — © Harmony Korine
It's hard to say things without coming off in a certain way, but at a young age, I felt very driven. All I ever wanted to be is a soldier of cinema.
For me, at a very young age, I knew I wanted to be in the entertainment industry; I wanted to be an announcer. I was very smitten at an early age with the voice I heard coming from a radio.
I felt voiceless for so long, I wasn't ever able to say what I felt out loud. I didn't know how to say it. Posting online presented itself as a comfortable medium. I could say what I wanted to say in a way I still felt comfortable. Whenever, however I wanted to.
From a very young age, I would fall off the bed and wake up on the floor because of dreams. I have a memory from the age of four in which I felt God.
I always say I never felt 'latched' to a gender. I just kind of always felt like myself, and I never felt like I had to do certain things or be a certain way to fit into a certain mold.
I started culinary school at a very young age, and really I wanted to be out working, cooking, more than I wanted to be in a classroom. You could say I wasn't a very good student - I wanted to be a student of life and experience.
I definitely felt that I was put at a very high place to be able to be a part of such a wonderful franchise in cinema history, so I was definitely very driven at doing a great job and having my body look the way it should and just being a part of the creative process.
I would say a magical thing happened on when the big 40th birthday came. I felt like a light kind of just went off, and maybe that's because I felt like at 40 I had the right to say and be who I wanted to be, say what I wanted to say, and accept what I didn't want to accept.
MORE CONSISTENTLY THAN EVER I WAS TRYING TO MAKE PEOPLE BELIEVE THAT CINEMA AS AN INSTRUMENT OF ART HAS ITS OWN POSSIBILITIES WHICH ARE EQUAL TO THOSE OF PROSE. I WANTED TO DEMONSTRATE HOW CINEMA IS ABLE TO OBSERVE LIFE, WITHOUT INTERFERING, CRUDELY OR OBVIOUSLY, WITH ITS CONTINUITY. FOR THAT IS WHERE I SEE THE POETIC ESSENCE OF CINEMA.
Young designers will often look at things in a different way, and when I was first designing, that's exactly how I felt. People would say, 'That is wrong,' but 'That' was how I wanted it.
I've always kind of known what I like and what I don't. And never felt any pressure to wear certain things or watch certain things... It's hard to explain, but I've just always felt it.
My very identity as a soldier came to an abrupt end. I'd been soldiering as long as I'd been shaving. Suddenly I'd been told I could no longer soldier, and it felt as though no one really cared if I ever shaved again.
I never stopped believing in us and I never felt like I was wanting for anything, except for my father, and that was not going to be. I describe in the book [that] I don't think I ever felt young again in that way. I never felt I had my 15, 16, 17 kind of years the way I maybe should have. It's a huge dent in you that it's hard to knock out and make it all smooth again.
. . . it is true that language and forward movement in the cinema are jolly hard to reconcile. It's a very, very, difficult thing to do. . . . There is still a place in the cinema for movies that are driven by the human face, and not by explosions and cars and guns and action sequences . . . there's such a thing as action and speed within thought rather than within a ceaseless milkshake of images.
There are things coming from me that I felt I wanted to talk about. My search for my own blend of spirituality, my acknowledgement of my sexuality, my being the single mother of a young man.
Since I was very young I've been fascinated with nature and I actually wanted to be a marine biologist when I was very young. That was a great passion of mine. So I suppose in the off season when I'm not making movies, I became more and more active as an environmentalist trying to be more vocal about issues that I felt were important.
I learned construction and carpentry from my father at a young age, so I felt very comfortable and I felt very satisfied when I worked in that field.
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